Whale Rock

Whale Rock

Diana Plater's latest book is available on:

Amazon: https://www.amazon.com/dp/1922261416
Amazon Australia: https://www.amazon.com.au/dp/B07NYHWNTR
Amazon UK: https://www.amazon.co.uk/dp/B07NYHWNTR
MoshShop: https://themoshshop.com.au/collections/new-releases/products/whale-rock-by-diana-plater
SmashWords: https://www.smashwords.com/books/view/924932


At her Tamarama café Shannon struggles with the loss of her marriage. A close friendship develops between her and Colin, an Indigenous elder, and Rafael, a Nicaraguan immigrant. When a worker plunges to his death on the building site opposite, journalist Vesna covers the story. But as their secrets are exposed all hell breaks loose and they discover they’re more connected than they ever imagined.


Whale Rock is provocative, stormy and sensual. Diana Plater gives us both human brutality and sensitivity in 21st century Sydney.

Alejandro Pérez, author, Modelo Económico

Feedback/reviews from readers:


4 June 2019

Format: Kindle EditionVerified Purchase

Thoroughly thoroughly enjoyed this book by Australian writer Diana Plater. It covers important issues in contemporary Australia, such as the treatment of refugees and indigenous Australians – the Stolen Generations – while involving the reader in the complex lives and relationships of a colourful cast. Great work.Reviewed by


BarbarinaS

5.0 out of 5 starsAn excellent read

12 April 2019 - Published on Amazon.com

Format: Kindle EditionVerified Purchase


jnana

5.0 out of 5 starsA thought provoking and rewarding read!

1 May 2019 - Published on Amazon.com

In an eastern suburbs beach side café (Tamarama, Sydney) where yummy mummies and aspiring screenwriters complain about too much or not enough froth on their babycinos and soy lattés, a deeper drama begins to unfold. Café owner Shannon, whose marriage is crumbling after the death of her second child, meets Rafael, a Nicaraguan immigrant who is working with her Koori friend Colin at a building site across the road. Rafael, who bears the scars of the Sandinista/Contra war, keeps his past well hidden. Colin too keeps mum about the cruel torture of growing up in the Kinchela Boys Home.

A mutual love of salsa music draws Shannon and Rafael close but just as love begins to blossom an incident occurs that brings government officials and the media swarming. Vesna, a seasoned journalist who covered the Kosovo atrocities in the 90s, is after a scoop on illegal immigrants and will go to any lengths to get it. All hell breaks loose as each character is forced to confront the consequences of their actions and come to terms with the traumas of their past.

In this gripping drama filled with astute insights and canny observances of urban life and modern relationships, Diana Plater digs deep to open the lid on how personal, political and collective trauma affects each and everyone of us.

There are no goodies or baddies in a story like this, just human beings coming unstuck, learning the hard way it is their humanity that will save them in the end.

A thought provoking and rewarding read!

Lucy de Bruce, PhD, University of Technology, Sydney:



Storyline:


Shannon is from a farm down the NSW South coast. The farm provides refuge when all is not well in her Sydney world. Her marriage to Tom, a philandering, firey, immigration lawyer of Serbian heritage, is on the rocks and there are inevitable tensions over money and access to their son, Maxie.


At the root of their problem is Shannon's stillbirth, which Tom blames her for, and for which she carries loss and guilt. To ensure there is cash flow in the floundering marriage, the frugal Tom sets Shannon up in a coffee shop on the Eastern beachside suburb of Tamarama. Her customers are construction workers, office workers, and glossy, pony-tailed yummy-mummies pushing giant baby buggies and hogging the tables at the cafe.


Shannon shuns the snobby, trendy, East Sydney scene preferring to cultivate an earthy, country-girl image. Her favourite refuge is a place she calls Whale Rock located on the flat rocks high above the crashing surf. It is a place that soothes her soul and where an engraving of a mother whale with a baby calf inside her, etched into the rocks, is a bewitching reminder of a sub-narrative flowing throughout Shannon's story.


At the cafe, two of Shannon's regular customers become close friends - Aboriginal Colin and Nicaraguan Rafael. Rafael enters her life at just the right time when she is feeling rejected and hopelessly inadequate as a wife, mother and daughter-in-law. The olive-skinned, pony-tailed and well-built Rafael gives her the Latin passion she craves in their sensual, erotic bedroom scenes above her cafe and in his bachelor pad. Rafael keeps an obsessive low profile; he was once a rebel leader for the Nicaraguan Sandinistas who fought the US-backed Contras. He too is scarred by a secret past in more ways than the torture burns on his body. He yearns to return to his homeland to resolve a botched love affair with an American journalist. His relationship with Shannon brings back painful memories.


Aboriginal Colin also fancies Shannon but ends up as a friend. As a five year old, Colin was a child of the infamous Kinchela Aboriginal Boys Home who was removed from his mother, Lily. He nurses a lifelong grief for his dead soldier father and older brother and tries to find out whatever happened to his mother. Lily, herself a child of the Cootamundra Aboriginal Girls Home, worked as a maid in white households down the south coast. Shannon becomes strangely obsessed by Colin's story and wants to help him find his mother. Disturbingly, Colin and Shannon share an explosive family secret.

Colin and Rafael work at a nearby building site where Colin is Rafael's boss. One day a worker is killed and there are whispers that his death may have been caused by workplace safety neglect.

Shannon, a hopeless do-gooder, insists on getting involved and through a woman acquaintance, Muslim Amany, is put in touch with Vesna, a journalist with a news wire service. Vesna is of Serbian descent and living at home (again) with her parents. When she and Shannon meet, they soon discover they share a tantalizing connection. Vesna snoops around, then publishes the workplace neglect story against the strong protests of Colin and Rafael. This leads to tragedy for Rafael.


Evaluation:


This is a fiction based on re-hashed and imagined characters from the author's past life as a journalist working in Australia, USA and Latin America. The five main characters are strangely intertwined through their parallel lives and dark secrets. The central character, Shannon, comes across as sunny and outgoing with a mischievous sense of humour. Yet a closer look reveals she is also fragile/broody/guilt-ridden/needy/selfish and erotic - with dark secrets. Tom (hapless husband) thinks she is entitled and spoiled. Her "complex" personality comes into play with the characters and situations she encounters.


The story is pacey and told in a light-hearted, cynical way, which counters some of the darker elements. Colourful vignettes of Sydney's affluent and struggling areas are deftly brushstroked as are scenes of life on her south coast farm. Like her beloved Whale Rock, the family farm ("in the valley") is a spiritual and healing place where she can escape from the big bad city. It is where treasured childhood memories, her own lost little one, and disturbing tales of Aboriginal/European relations are deeply etched into that rainforested landscape.


Conclusion:



Whale Rock is a seductive story with a cast of delicious, unexpected bedfellows! It is richly textured, exploring themes of love, grief, betrayal, child-loss, illegal immigration and brutality - all provocatively told by Sydney journalist, Diana Plater. The double narratives switching back and forth between Australia and Nicaragua are a small distraction but still work well. Overall, the book is well crafted, humorous and a page turner! Importantly, it tells the lives of invisible people in a powerful and engaging way. Above all, it shows that no matter how unremarkable a person's life may appear to be, the sheer wonder of the human experience, if well told, is as compelling and extraordinary as any noteworthy person.




Glenda:



Café owner and mother of one Shannon buries herself in work, after losing her second baby and marriage to Tom. The café she runs in Bondi is the intersection point for the five characters featured in this moving, bitingly honest debut novel by Diana Plater. Shannon doesn’t have much time for indulgent café society. She’s drawn instead to customers like Colin and Rafael who don’t fit the mould. Colin’s a foreman at a building site, struggling with scars laid down by his, and his mother’s Stolen Children upbringing in orphanages and foster homes. As with Colin, the fault line in Rafael’s life runs deep into history. Rafael’s a Nicaraguan construction worker, hiding out in Australia for a crime he committed back home during the Sandanista revolution of the ‘70s. A shared love of salsa, sparks a passionate connection between Shannon and Rafael, but their hopes founder on a journalist’s incorrigible ambition. Vesna’s struggling to retain her place at a newspaper that’s dying, but she has no intention of going down with it. Shoring up her options she starts an affair with Tom, Shannon’s ex – a Serbian Australian like herself - as well as an investigation that threatens to unravel Shannon and Rafael’s new happiness.


Tension builds and emotions run high as the characters are drawn into a race against time to beat their inner demons and defeat bloody minded officialdom. In a page turning finish, lives are nearly lost and redemption is found in unexpected ways.


Whale Rock is as diverse and complex as Australia, and every bit as interesting.


Messages:


I finished your book last week and thought it was fabulous. Absolutely gripping, found it hard to put down. Loved so many of the characters. Can't wait for your next novel!! Well done.


I just finished your book. A great book. I loved it. ...You should be proud of what you have written.

February 16, 2015

TRAVEL FACES: Fighting cocks, Bali starlings and fried chicken


Ollie Smith and I wrote Raging Partners back in 2000 and we are in the midst of turning it into an e-book.

Our new chapter will be about our love affairs with Bali and the Balinese. Here's an excerpt from the work-in-progress:
To the Birds: Fighting cocks, Bali starlings and fried chicken.


Ollie’s little house in Dalung was filled with Balinese men partying every night, and cleaning up each morning. Cigarette butts were swept away and all traces of alcohol – beer and arak, the sickly sweet palm brandy that Balinese love. They’d sit in a circle and pass a cup around, sometimes mixed with orange juice, gradually getting drunker and more sentimental as the night wore on. Music would blare from a tinny tape recorder. Their favourite at the time was James Blunt’s You’re Beautiful. I’ll never get that damned song out of my head.

In the morning one of the men would make us kopi bali – thick, black and sweet – and we’d sit on little timber stools on Ollie’s verandah and survey the comings and goings of the street. Ollie had met Nyoman the year before – a sexy, silver-jewellery-wearing Balinese 20 years her junior – which led to her buying this house.

Nyoman’s father had had 18 children to two wives. He was actually married three times, but his first wife died childless. So Nyoman had a string of brothers and sisters and cousins who would come to the house on their motorbikes.

One night I was sitting inside on one of the benches under a fan to try and cool off from the steamy heat when one of these half brothers turned up. Budi was wearing a white sarong and udung as he’d just come from a ceremony, which matched his shiny teeth. He sat on one side of the window with the men, flirting through the wooden slats with me like a priest hearing confession.

Budi was a breath of fresh air after what I’d just been through: dad’s death six months before and a divorce.

I guess I should have seen it as a warning sign though that his job was helping his cousin look after his fighting cocks.  These fights are held as part of temple ceremonies as blood sacrifice is entwined in Balinese Hindu culture. According to renowned writer Fred B Eiseman Caru is blood sacrifice to the demons, bhutas and kalas, or more philosophically to the negative aspects of the universe.  Killing an animal in this way is not considered a cruelty – it actually acquires Karma and they are treated with reverence.  The cockfight, tajen, also appeases the bhutas with the spilling of blood.

But illegal competitions where thousands of dollars are bet and lost are also held all over the island.

The day after we met I had to go to Ubud to stay at a traditional five star hotel to write a story. Ollie thought it would be fun to come up and meet me and bring some of the boys. We went to the Jazz Club and danced to salsa music but they dropped me alone at the hotel on the way back – despite almost getting lost. Who said Balinese know their island? And as for reading a map. Forget it.

The next day Budi rode for more than an hour to visit me – at my villa with my own huge swimming pool. I had been trying to get an interview with Kadek Wiranatha, a local Mr Big, and only minutes after he arrived I got the call. Come down now to Legian for the interview.

“Budi, can you give me a lift?”  And we took off on his motorbike. He seemed to understand my job which was a great plus to me and I felt very comfortable and happy in his company.

The following January I returned to Bali and Budi and we decided to go to Lombok, via his village at Tianyar, in Karangnasem on the north-east coast.

We stayed the night at Budi's father's house, and everybody seemed to be worried that he was going on such a long trip.

I thought this was a bit of an over-reaction; it was only a five-hour ferry ride and perhaps a few more hours by road up the west coast of Lombok.

The only problem I could see were the afternoon downpours of the wet season.

The next morning we had coffee with Budi's father's second wife.

After changing her blouse and putting a sash around her sarong she said prayers at the compound temple to give us luck for the journey.

"Is it holiday or work that you are going to Lombok for?" she called out.

 "Holiday," he answered.

  "You must pray in the village temple," she told him.

 While I waited on the back of the motor bike  he also put on a sash, put rice on his forehead, lit incense, tossed bougainvillea around and prayed.

 As he climbed back on the bike he still had crimson petals in his thick, black hair.

We drove the bike onto the ferry at Padangbai and watched as food sellers crowded on to sell rice, noodles, water and bananas before it headed off.

 Budi remained sitting most of the time while I looked out across the sea to the island of Lombok.

 It was almost dark when we arrived. We rode again in the rain through the capital, Mataram, and then onto Senggigi, where we found a room in an almost empty hotel.

 The next day we headed north, avoiding chickens, ducks and goats on the road to the little port from where we jumped on a tiny fishing boat taking furniture to Gili Trawangan.

 When we returned to Dalung, Budi's family and friends were keen to know how the trip went.

 "Fantastic," I said, "It was one of the best holidays ever."

 "That's OK for her," Budi joked. "She was on the back. I was the one doing all the hard work."

 Then one night just before I left to fly back to Sydney, Budi asked me something:

 "Did you notice I looked a bit worried on the boat trips?"

 "Oh no," I said sunnily, thinking he'd loved the trip too.

 "Well I was actually very scared," he said. "Did you know I almost drowned a few years ago?"

 "No!" I was shocked, although I did know that like many Balinese he couldn't swim.

 "It was when I was working on a Thai fishing boat, out near Maluku," he continued. "I was hanging out my washing on a rope and I lost my footing and fell into the sea. One of the fishermen - a Thai man - threw me a rope.

 "I was so traumatised, I flew back to Bali and hadn't been on a boat since."

 "Why didn't you tell me?" I asked, remembering then that he had clung tightly to the small boat's mast and didn't seem to want to look over the edge of the ferry. "We didn't have to go."

 "It would have ruined your holiday," he answered.

Much to my surprise, and I really mean this, I was getting involved with a Balinese guy – 20 years younger than me. Was that what I really wanted? Was that what I needed? Well I knew I needed fun more than anything else. 

I’ll admit it, I didn’t really know that much about Balinese culture. I was interested to the extent of spirituality and its meaning in people’s lives. But being a cynic about religion and in particular religious hierarchy I could never get into it. I didn’t want to become one of those Australian women who marry or live with Balinese men and take on the whole mantle – wearing sarongs and kebayas as if they were born in them, making offerings, attending ceremonies. Even having their teeth filed as part of the wedding ceremony, to get rid of the ‘animal’ in you. Nuh, I have a good dentist and he thinks my teeth are fine just as they are.

I did ask him lots of questions about his religion and beliefs but he found it almost impossible to describe the reasoning behind it all. “Please explain,” I’d say. “Sorry I can’t explain it,” he’d answer.

 Budi was determined to come to Australia. There was nothing he wanted more. Was I just a vessel to get him here? Would he have gone with any other woman who was mad enough to sponsor him to come and live here? He denies that. He says he still loves me. He just couldn’t handle the gambling temptations in every pub and club here.

So after more than six good years in Sydney, Budi’s back in Bali, working for a big businessman who breeds fighting cocks. He’s their “security” making sure people don’t climb the barbed wire to steal these incredibly valuable animals that are sold on the international market.

Rather than fighting cocks, I spent part of this last trip searching for the endangered Bali Starling. Way up in the national park in the north west of Bali, we bumped along a rough track, as monkeys tried to climb into the car. Across the sea was Java. Finally we reached a temple in the jungle and a sign, “Save the Birds, Save The Trees, Save the Earths”. A ranger came out and took me by the hand and another gave me a pair of binoculars. There in the trees coming out of her little wooden nesting box was a white-crested blue-eyed starling and her baby. The ranger told me there were only 25 now in the national park area after years of poaching for the caged bird trade.

Back in Legian we went to eat fried chicken sitting cross-legged  at a warung as the rain teemed down.

 I told Budi about my trip and the starlings and he said, “I call them Jalak.”

Then I asked him if he was lonely without me and he said: “No, I have my family and friends. My nephews always smile when they see me and say, Hi Uncle.”

I said: “I hope we will stay friends.”

“Close friends,” he said as he bit into the chicken.




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