Whale Rock

Whale Rock

Diana Plater's latest book is available on:

Amazon: https://www.amazon.com/dp/1922261416
Amazon Australia: https://www.amazon.com.au/dp/B07NYHWNTR
Amazon UK: https://www.amazon.co.uk/dp/B07NYHWNTR
MoshShop: https://themoshshop.com.au/collections/new-releases/products/whale-rock-by-diana-plater
SmashWords: https://www.smashwords.com/books/view/924932


At her Tamarama café Shannon struggles with the loss of her marriage. A close friendship develops between her and Colin, an Indigenous elder, and Rafael, a Nicaraguan immigrant. When a worker plunges to his death on the building site opposite, journalist Vesna covers the story. But as their secrets are exposed all hell breaks loose and they discover they’re more connected than they ever imagined.


Whale Rock is provocative, stormy and sensual. Diana Plater gives us both human brutality and sensitivity in 21st century Sydney.

Alejandro Pérez, author, Modelo Económico

Feedback/reviews from readers:


4 June 2019

Format: Kindle EditionVerified Purchase

Thoroughly thoroughly enjoyed this book by Australian writer Diana Plater. It covers important issues in contemporary Australia, such as the treatment of refugees and indigenous Australians – the Stolen Generations – while involving the reader in the complex lives and relationships of a colourful cast. Great work.Reviewed by


BarbarinaS

5.0 out of 5 starsAn excellent read

12 April 2019 - Published on Amazon.com

Format: Kindle EditionVerified Purchase


jnana

5.0 out of 5 starsA thought provoking and rewarding read!

1 May 2019 - Published on Amazon.com

In an eastern suburbs beach side café (Tamarama, Sydney) where yummy mummies and aspiring screenwriters complain about too much or not enough froth on their babycinos and soy lattés, a deeper drama begins to unfold. Café owner Shannon, whose marriage is crumbling after the death of her second child, meets Rafael, a Nicaraguan immigrant who is working with her Koori friend Colin at a building site across the road. Rafael, who bears the scars of the Sandinista/Contra war, keeps his past well hidden. Colin too keeps mum about the cruel torture of growing up in the Kinchela Boys Home.

A mutual love of salsa music draws Shannon and Rafael close but just as love begins to blossom an incident occurs that brings government officials and the media swarming. Vesna, a seasoned journalist who covered the Kosovo atrocities in the 90s, is after a scoop on illegal immigrants and will go to any lengths to get it. All hell breaks loose as each character is forced to confront the consequences of their actions and come to terms with the traumas of their past.

In this gripping drama filled with astute insights and canny observances of urban life and modern relationships, Diana Plater digs deep to open the lid on how personal, political and collective trauma affects each and everyone of us.

There are no goodies or baddies in a story like this, just human beings coming unstuck, learning the hard way it is their humanity that will save them in the end.

A thought provoking and rewarding read!

Lucy de Bruce, PhD, University of Technology, Sydney:



Storyline:


Shannon is from a farm down the NSW South coast. The farm provides refuge when all is not well in her Sydney world. Her marriage to Tom, a philandering, firey, immigration lawyer of Serbian heritage, is on the rocks and there are inevitable tensions over money and access to their son, Maxie.


At the root of their problem is Shannon's stillbirth, which Tom blames her for, and for which she carries loss and guilt. To ensure there is cash flow in the floundering marriage, the frugal Tom sets Shannon up in a coffee shop on the Eastern beachside suburb of Tamarama. Her customers are construction workers, office workers, and glossy, pony-tailed yummy-mummies pushing giant baby buggies and hogging the tables at the cafe.


Shannon shuns the snobby, trendy, East Sydney scene preferring to cultivate an earthy, country-girl image. Her favourite refuge is a place she calls Whale Rock located on the flat rocks high above the crashing surf. It is a place that soothes her soul and where an engraving of a mother whale with a baby calf inside her, etched into the rocks, is a bewitching reminder of a sub-narrative flowing throughout Shannon's story.


At the cafe, two of Shannon's regular customers become close friends - Aboriginal Colin and Nicaraguan Rafael. Rafael enters her life at just the right time when she is feeling rejected and hopelessly inadequate as a wife, mother and daughter-in-law. The olive-skinned, pony-tailed and well-built Rafael gives her the Latin passion she craves in their sensual, erotic bedroom scenes above her cafe and in his bachelor pad. Rafael keeps an obsessive low profile; he was once a rebel leader for the Nicaraguan Sandinistas who fought the US-backed Contras. He too is scarred by a secret past in more ways than the torture burns on his body. He yearns to return to his homeland to resolve a botched love affair with an American journalist. His relationship with Shannon brings back painful memories.


Aboriginal Colin also fancies Shannon but ends up as a friend. As a five year old, Colin was a child of the infamous Kinchela Aboriginal Boys Home who was removed from his mother, Lily. He nurses a lifelong grief for his dead soldier father and older brother and tries to find out whatever happened to his mother. Lily, herself a child of the Cootamundra Aboriginal Girls Home, worked as a maid in white households down the south coast. Shannon becomes strangely obsessed by Colin's story and wants to help him find his mother. Disturbingly, Colin and Shannon share an explosive family secret.

Colin and Rafael work at a nearby building site where Colin is Rafael's boss. One day a worker is killed and there are whispers that his death may have been caused by workplace safety neglect.

Shannon, a hopeless do-gooder, insists on getting involved and through a woman acquaintance, Muslim Amany, is put in touch with Vesna, a journalist with a news wire service. Vesna is of Serbian descent and living at home (again) with her parents. When she and Shannon meet, they soon discover they share a tantalizing connection. Vesna snoops around, then publishes the workplace neglect story against the strong protests of Colin and Rafael. This leads to tragedy for Rafael.


Evaluation:


This is a fiction based on re-hashed and imagined characters from the author's past life as a journalist working in Australia, USA and Latin America. The five main characters are strangely intertwined through their parallel lives and dark secrets. The central character, Shannon, comes across as sunny and outgoing with a mischievous sense of humour. Yet a closer look reveals she is also fragile/broody/guilt-ridden/needy/selfish and erotic - with dark secrets. Tom (hapless husband) thinks she is entitled and spoiled. Her "complex" personality comes into play with the characters and situations she encounters.


The story is pacey and told in a light-hearted, cynical way, which counters some of the darker elements. Colourful vignettes of Sydney's affluent and struggling areas are deftly brushstroked as are scenes of life on her south coast farm. Like her beloved Whale Rock, the family farm ("in the valley") is a spiritual and healing place where she can escape from the big bad city. It is where treasured childhood memories, her own lost little one, and disturbing tales of Aboriginal/European relations are deeply etched into that rainforested landscape.


Conclusion:



Whale Rock is a seductive story with a cast of delicious, unexpected bedfellows! It is richly textured, exploring themes of love, grief, betrayal, child-loss, illegal immigration and brutality - all provocatively told by Sydney journalist, Diana Plater. The double narratives switching back and forth between Australia and Nicaragua are a small distraction but still work well. Overall, the book is well crafted, humorous and a page turner! Importantly, it tells the lives of invisible people in a powerful and engaging way. Above all, it shows that no matter how unremarkable a person's life may appear to be, the sheer wonder of the human experience, if well told, is as compelling and extraordinary as any noteworthy person.




Glenda:



Café owner and mother of one Shannon buries herself in work, after losing her second baby and marriage to Tom. The café she runs in Bondi is the intersection point for the five characters featured in this moving, bitingly honest debut novel by Diana Plater. Shannon doesn’t have much time for indulgent café society. She’s drawn instead to customers like Colin and Rafael who don’t fit the mould. Colin’s a foreman at a building site, struggling with scars laid down by his, and his mother’s Stolen Children upbringing in orphanages and foster homes. As with Colin, the fault line in Rafael’s life runs deep into history. Rafael’s a Nicaraguan construction worker, hiding out in Australia for a crime he committed back home during the Sandanista revolution of the ‘70s. A shared love of salsa, sparks a passionate connection between Shannon and Rafael, but their hopes founder on a journalist’s incorrigible ambition. Vesna’s struggling to retain her place at a newspaper that’s dying, but she has no intention of going down with it. Shoring up her options she starts an affair with Tom, Shannon’s ex – a Serbian Australian like herself - as well as an investigation that threatens to unravel Shannon and Rafael’s new happiness.


Tension builds and emotions run high as the characters are drawn into a race against time to beat their inner demons and defeat bloody minded officialdom. In a page turning finish, lives are nearly lost and redemption is found in unexpected ways.


Whale Rock is as diverse and complex as Australia, and every bit as interesting.


Messages:


I finished your book last week and thought it was fabulous. Absolutely gripping, found it hard to put down. Loved so many of the characters. Can't wait for your next novel!! Well done.


I just finished your book. A great book. I loved it. ...You should be proud of what you have written.

December 19, 2014

Travel Faces: To Erin


My beautiful friend, Erin (left).
This has been a particularly sad week, topped off for me by the news of the death of my friend, Erin Gampar.

I’m writing about him in my new blog, Travel Faces, because you could say we met while I was travelling.

He was a musician from Flores, an Indonesian island east of Bali. His family moved to Kupang in West Timor when he was young.

And later he moved to Bali, which is where I met him one hot July night in 2004.

My friend, Ollie, and I were walking home after a night out bar-hopping in Seminyak when we heard beautiful music coming from a bar across the road.  It was salsa or the Gypsy Kings I seem to remember. We went over to investigate and listened to a few songs, then met the band and chatted to them. Erin was one of them. He was a superb guitarist and singer but could play most instruments - as shown by the above photo - and anything from reggae to ballads. I loved his rendition of Redemption Song.

He also had a cheeky smile and laugh and could see the humour in anything.

He should have been a journalist - he always made sure he was at the height of the action, telling me later how he’d been in the courtroom for Schapelle Corby’s sentencing.

I’ll never forget one story he told me. It was about 2am and we were sitting in another Seminyak bar.

It was about the night of the first Bali bombing, just after 11pm on Saturday, October 22, 2002.

He and his fellow musicians had finished their gig and were having a late dinner in a restaurant nearby. They heard a loud bang and saw flames and raced to the site to help people.

He focused on one man, making sure he got him to hospital to be treated for his burns, and visited him daily until he was able to leave.

We were engrossed while he told the story. It was fascinating - and terrifying - to be reminded of that fateful night from an eyewitness, especially a great storyteller like Erin.

Whenever I went to Bali I’d call or text him to find out where he was playing and go down and see him. If it was a Saturday night, he’d laughingly tell us he had to get up early for church the next day but he'd still stay up for hours.  He had been brought up a Christian.  He was so happy to meet his wife, Endah, and get married.

I still don’t know the full circumstances of his death but believe he had an illness he was being treated for in hospital.

Erin, I can’t tell you how much we’re missing you.



December 02, 2014

TRAVEL FACES: Germany's Wandering Carpenters


Meet some of the fascinating people I've met travelling - the first of a series.
Max and Robin

We’re in a Dusseldorf brewery eating dinner and enjoying a local beer when in wander two strangely-dressed young men.
They are wearing black corduroy suits with flared pants, and matching blue ties with gold pins. One sports a black top hat while the other favours a battered floppy version. Both wear waistcoats and carry curled, wooden hiking poles, known  as Stenz, and old-fashioned knapsacks tied with handkerchiefs to wrap up their belongings.

They are wandering carpenters, also known as journeymen or craftsmen or “Wandergesellen”, who travel door to door, in a Mediaeval tradition, known as “Wanderjahre”.

They set out for travel for at least three years and one day after completing their apprenticeships, and rather than accepting pay are fed and bedded by those they work for.

They have come into the brewery to ask for a meal in return for doing jobs here.  

Their names are Max and Robin; they have left off their last names, adopting the name of their organisation as their surname, in this case, Rolandschact, or a knight in Medieval times.

 “We are joiners or furniture makers, in a tradition that is about 900 years old,” Robin says. “After your apprenticeship you do this for at least three years and one day. We both have been doing it for one and a half years now.”

It’s said to be one of the oldest traditions in Europe and two seats on the European Union are kept for such journeymen. It’s also alive in France, where it’s known as the Compagnons du Tour de France.

But in Britain the tradition has died, with only the title, journeymen, still remaining as a reference to young men travelling throughout the country.

In Germany, the journeyman must be unmarried, childless and debt-free - so that they don’t use this as an opportunity to run away from social obligations. In modern times the brotherhoods they join often require a police clearance.

They must present themselves in a clean and friendly manner in public, which helps them find a bed for the night and a lift to the next town. These two both wear earrings in their left ears and I discover later that in the Middle Ages gold bracelets were also worn which could be sold to pay the gravedigger if a journeyman died on his journey.

Some say the song, Waltzing Matilda (Banjo Patterson’s poem about the swagman), comes from the tradition of the journeyman's Walz (or song).

While the Nazis banned the tradition, it came back into vogue in the late 1980s, especially after the fall of the Berlin Wall with economic changes and renewed interest in tradition.

We go outside to take photos and Max says he has just returned from South Africa while Robin has spent his time in Germany, learning the traditional craftsmanship. Max is the first in his family to follow the tradition but his father wasn’t that keen on the idea. Still he says that didn’t stop his own journey.

 “You used to have to do it 100 years ago. I met quite a few journeymen and it was clear to me I should do it too,” Robin says. “I don’t think it will die out that easily.”

They are an incredible reminder of the ancient traditions of Europe that have not been forgotten.


Dusseldorf, Germany: houses
Spring vegetables and fruit in Dusseldorf