Whale Rock

Whale Rock

Diana Plater's latest book is available on:

Amazon: https://www.amazon.com/dp/1922261416
Amazon Australia: https://www.amazon.com.au/dp/B07NYHWNTR
Amazon UK: https://www.amazon.co.uk/dp/B07NYHWNTR
MoshShop: https://themoshshop.com.au/collections/new-releases/products/whale-rock-by-diana-plater
SmashWords: https://www.smashwords.com/books/view/924932


At her Tamarama café Shannon struggles with the loss of her marriage. A close friendship develops between her and Colin, an Indigenous elder, and Rafael, a Nicaraguan immigrant. When a worker plunges to his death on the building site opposite, journalist Vesna covers the story. But as their secrets are exposed all hell breaks loose and they discover they’re more connected than they ever imagined.


Whale Rock is provocative, stormy and sensual. Diana Plater gives us both human brutality and sensitivity in 21st century Sydney.

Alejandro Pérez, author, Modelo Económico

Feedback/reviews from readers:


4 June 2019

Format: Kindle EditionVerified Purchase

Thoroughly thoroughly enjoyed this book by Australian writer Diana Plater. It covers important issues in contemporary Australia, such as the treatment of refugees and indigenous Australians – the Stolen Generations – while involving the reader in the complex lives and relationships of a colourful cast. Great work.Reviewed by


BarbarinaS

5.0 out of 5 starsAn excellent read

12 April 2019 - Published on Amazon.com

Format: Kindle EditionVerified Purchase


jnana

5.0 out of 5 starsA thought provoking and rewarding read!

1 May 2019 - Published on Amazon.com

In an eastern suburbs beach side café (Tamarama, Sydney) where yummy mummies and aspiring screenwriters complain about too much or not enough froth on their babycinos and soy lattés, a deeper drama begins to unfold. Café owner Shannon, whose marriage is crumbling after the death of her second child, meets Rafael, a Nicaraguan immigrant who is working with her Koori friend Colin at a building site across the road. Rafael, who bears the scars of the Sandinista/Contra war, keeps his past well hidden. Colin too keeps mum about the cruel torture of growing up in the Kinchela Boys Home.

A mutual love of salsa music draws Shannon and Rafael close but just as love begins to blossom an incident occurs that brings government officials and the media swarming. Vesna, a seasoned journalist who covered the Kosovo atrocities in the 90s, is after a scoop on illegal immigrants and will go to any lengths to get it. All hell breaks loose as each character is forced to confront the consequences of their actions and come to terms with the traumas of their past.

In this gripping drama filled with astute insights and canny observances of urban life and modern relationships, Diana Plater digs deep to open the lid on how personal, political and collective trauma affects each and everyone of us.

There are no goodies or baddies in a story like this, just human beings coming unstuck, learning the hard way it is their humanity that will save them in the end.

A thought provoking and rewarding read!

Lucy de Bruce, PhD, University of Technology, Sydney:



Storyline:


Shannon is from a farm down the NSW South coast. The farm provides refuge when all is not well in her Sydney world. Her marriage to Tom, a philandering, firey, immigration lawyer of Serbian heritage, is on the rocks and there are inevitable tensions over money and access to their son, Maxie.


At the root of their problem is Shannon's stillbirth, which Tom blames her for, and for which she carries loss and guilt. To ensure there is cash flow in the floundering marriage, the frugal Tom sets Shannon up in a coffee shop on the Eastern beachside suburb of Tamarama. Her customers are construction workers, office workers, and glossy, pony-tailed yummy-mummies pushing giant baby buggies and hogging the tables at the cafe.


Shannon shuns the snobby, trendy, East Sydney scene preferring to cultivate an earthy, country-girl image. Her favourite refuge is a place she calls Whale Rock located on the flat rocks high above the crashing surf. It is a place that soothes her soul and where an engraving of a mother whale with a baby calf inside her, etched into the rocks, is a bewitching reminder of a sub-narrative flowing throughout Shannon's story.


At the cafe, two of Shannon's regular customers become close friends - Aboriginal Colin and Nicaraguan Rafael. Rafael enters her life at just the right time when she is feeling rejected and hopelessly inadequate as a wife, mother and daughter-in-law. The olive-skinned, pony-tailed and well-built Rafael gives her the Latin passion she craves in their sensual, erotic bedroom scenes above her cafe and in his bachelor pad. Rafael keeps an obsessive low profile; he was once a rebel leader for the Nicaraguan Sandinistas who fought the US-backed Contras. He too is scarred by a secret past in more ways than the torture burns on his body. He yearns to return to his homeland to resolve a botched love affair with an American journalist. His relationship with Shannon brings back painful memories.


Aboriginal Colin also fancies Shannon but ends up as a friend. As a five year old, Colin was a child of the infamous Kinchela Aboriginal Boys Home who was removed from his mother, Lily. He nurses a lifelong grief for his dead soldier father and older brother and tries to find out whatever happened to his mother. Lily, herself a child of the Cootamundra Aboriginal Girls Home, worked as a maid in white households down the south coast. Shannon becomes strangely obsessed by Colin's story and wants to help him find his mother. Disturbingly, Colin and Shannon share an explosive family secret.

Colin and Rafael work at a nearby building site where Colin is Rafael's boss. One day a worker is killed and there are whispers that his death may have been caused by workplace safety neglect.

Shannon, a hopeless do-gooder, insists on getting involved and through a woman acquaintance, Muslim Amany, is put in touch with Vesna, a journalist with a news wire service. Vesna is of Serbian descent and living at home (again) with her parents. When she and Shannon meet, they soon discover they share a tantalizing connection. Vesna snoops around, then publishes the workplace neglect story against the strong protests of Colin and Rafael. This leads to tragedy for Rafael.


Evaluation:


This is a fiction based on re-hashed and imagined characters from the author's past life as a journalist working in Australia, USA and Latin America. The five main characters are strangely intertwined through their parallel lives and dark secrets. The central character, Shannon, comes across as sunny and outgoing with a mischievous sense of humour. Yet a closer look reveals she is also fragile/broody/guilt-ridden/needy/selfish and erotic - with dark secrets. Tom (hapless husband) thinks she is entitled and spoiled. Her "complex" personality comes into play with the characters and situations she encounters.


The story is pacey and told in a light-hearted, cynical way, which counters some of the darker elements. Colourful vignettes of Sydney's affluent and struggling areas are deftly brushstroked as are scenes of life on her south coast farm. Like her beloved Whale Rock, the family farm ("in the valley") is a spiritual and healing place where she can escape from the big bad city. It is where treasured childhood memories, her own lost little one, and disturbing tales of Aboriginal/European relations are deeply etched into that rainforested landscape.


Conclusion:



Whale Rock is a seductive story with a cast of delicious, unexpected bedfellows! It is richly textured, exploring themes of love, grief, betrayal, child-loss, illegal immigration and brutality - all provocatively told by Sydney journalist, Diana Plater. The double narratives switching back and forth between Australia and Nicaragua are a small distraction but still work well. Overall, the book is well crafted, humorous and a page turner! Importantly, it tells the lives of invisible people in a powerful and engaging way. Above all, it shows that no matter how unremarkable a person's life may appear to be, the sheer wonder of the human experience, if well told, is as compelling and extraordinary as any noteworthy person.




Glenda:



Café owner and mother of one Shannon buries herself in work, after losing her second baby and marriage to Tom. The café she runs in Bondi is the intersection point for the five characters featured in this moving, bitingly honest debut novel by Diana Plater. Shannon doesn’t have much time for indulgent café society. She’s drawn instead to customers like Colin and Rafael who don’t fit the mould. Colin’s a foreman at a building site, struggling with scars laid down by his, and his mother’s Stolen Children upbringing in orphanages and foster homes. As with Colin, the fault line in Rafael’s life runs deep into history. Rafael’s a Nicaraguan construction worker, hiding out in Australia for a crime he committed back home during the Sandanista revolution of the ‘70s. A shared love of salsa, sparks a passionate connection between Shannon and Rafael, but their hopes founder on a journalist’s incorrigible ambition. Vesna’s struggling to retain her place at a newspaper that’s dying, but she has no intention of going down with it. Shoring up her options she starts an affair with Tom, Shannon’s ex – a Serbian Australian like herself - as well as an investigation that threatens to unravel Shannon and Rafael’s new happiness.


Tension builds and emotions run high as the characters are drawn into a race against time to beat their inner demons and defeat bloody minded officialdom. In a page turning finish, lives are nearly lost and redemption is found in unexpected ways.


Whale Rock is as diverse and complex as Australia, and every bit as interesting.


Messages:


I finished your book last week and thought it was fabulous. Absolutely gripping, found it hard to put down. Loved so many of the characters. Can't wait for your next novel!! Well done.


I just finished your book. A great book. I loved it. ...You should be proud of what you have written.

November 26, 2009

Walking the goosebump trail

We're standing in the rain, trying to make out the words on the grave.We're in the cemetery next to the Killiter Presbyterian Church outside the village of Killeter in County Tyrone.
But yes the writing becomes clearer as we wipe the raindrops away - it is our great-great grandfather's final resting place - as well as that of our great-great grandmother and great-great uncle.
G g grandpa Joseph Love was minister at this church most of his life and was followed by one
of his sons, George Clarke Love, my great grandfather.
But in 1889 George for health reasons sought a more favourable climate in Australia and
set off for southern climes with his wife, Georgina Beattie, and their five-month-old baby Bob.
There's a convoy of us that have driven along the muddy narrow roads to get here - the church's clerk of sessions, our guide, and one of our possible distant relatives.
They're huddling in the shelter of the church door as my sister and I crouching under
her small purple umbrella pronounce that the grave is indeed that of our
forebears.
This crazy expedition all started with my idea to walk the ground of my ancestors or the "goosebump trail", which is how a genealogist I met in Dublin describes being able to return to the exact place
they came from.
I knew my mother's father's side of the family came from Northern Ireland, and I wanted to return there after a trip to Belfast two years ago - a city that despite its grim history - and perhaps because of
this edginess - I fell in love with.
My main piece of information was that my great uncle, anthropologist and linguist JRB Love (the
baby Bob), was born in Killeter - in the manse known as Lislaird. This county
borders Donegal, in the Republic of Ireland and is mainly rural with sheep and
dairy farms.
About 65 families still use the Killeter Presbyterian Church at Maghernageeragh (which means the playing of the sheep). They have to share a minister these days with another church and farmer and
congregation member Will Andrews has been left to look after the books.
After driving past the former manse, we go to his farm
house and sit down at his kitchen table as he and his wife bring out a roneoed
sheet "about a minister who is long dead" - which tells a bit about Joseph
Love.
Then out comes the Register of Marriages and we are
thrilled to see there are many that contain both Joseph's and George Clarke's
signatures.
They also have stipend lists - which include
donations from members of the family - and the roll of people who had attended
Communion - held then as now twice a year.
Now that Andrews has
the church key we head back to see the inside of the church.

It's then that the story of this ancient and beautiful valley emerges.
Killeter's closest town Castlederg was one of the "most bombed out" towns in the
province during the Troubles, the quaint name for the undeclared war between
Catholic Nationalists and Protestant Unionists, supported by the British
Army.
It's now 11 years since the leading antagonists,
republican Gerry Adams and Ulster loyalist the Reverend Ian Paisley, agreed to
power sharing in what became known as the 1998 Good Friday Peace
Agreement.
But for 30 years before that Castlederg and surrounds
like much of Northern Ireland had been the scene of bombings, razor wire and
gun-running.
Although it's a long and complicated story that
goes back three centuries, the most recent conflict began in 1969 after
predominantly Catholic marches inspired by the American civil rights movement
and counter-protests by Protestant loyalists turned violent.

It's not a history from the deep dark past. That morning we had driven into
Coalisland in the eastern part of the county. Huge orange and green graffiti
covered a wall on the way into town - Colin Duffy Framed!! Terry McCafferty
Interned. British Injustice 1969-2009.
At the church, I ask
Andrews how the peace settlement had affected him and others in the
village.
While he says "peace is great" there is still some
mistrust and tension.
"Things are getting better but it'll take
a long time before we forget," he says.
He takes us over to a
plaque on the wall dedicated to two young men, in their twenties, from the
congregation who had been killed while serving with the Ulster Defence
Regiment.
"All for nothing," he says shaking his head. "All for
nothing."
The next morning we have a cup of tea at Gordon
Speer's house in the village.
Asked to be our guide, he works
for an organisation, Border Arts 2000, which for the past 10 years as well as
doing arts projects has been working with Catholics, Anglicans and Presbyterians
to overcome their differences - helped by funding from the EU Programme for
Peace and Reconciliation.
He tells a little of the "bad old
days" of the 70s and 80s. Being right on the border, the army would blow up the
"unapproved" roads to stop the arms coming in and also block the escape routes
(also affecting smugglers). Never mind, the gun-runners would come in at night
and fill up the holes with gravel.
Castlederg's streets were
blocked by cement boulders and you had to pass the army checkpoints to get into
town.
Speer, a musician, tells how he used to play in a band in
the town's pubs, and would have to make complicated arrangements with the police
every time he had a gig.
People would hardly speak to their
neighbours because of fear and intimidation.
"Now it's much more
mixed," he says. "Ten years ago you wouldn't have seen a Protestant in a
Catholic bar. There's been a big change in the last three
years."
"It will all get down to money at the end of the day,"
he says when asked what he thinks of the future of the fragile
peace.
It's marching season and we're there for Black Saturday -
when the march of the Black Perceptory, a fraternal/religious lodge linked
to the Orange Order, is held and towns we drive through are covered in Union
Jack flags.
The vast majority of the parades in Northern Ireland
are Unionist but since the peace agreement marchers have to get permission
from the Parades Commission - and many marches have been cancelled when it
looked like they might lead to violence.
Speer has been getting
both sides round the table to discuss how to ensure the marches are peaceful;
he'd found solutions were simpler than he expected.
"Both sides
were amazed they both didn't want to have a heavy police presence," he
says.
Speer explains there's been a push by both Protestants and
Catholics to embrace their own cultures, music and language - and to change
cultural perceptions.
"A lot of people are more interested in
their culture and are now more comfortable about it," he says.

The Plantation of Ulster began in 1609 when the British brought over loyal
Presbyterian Scots - taking the most fertile land off the locals and
giving it to them, where they built their castles.
Even though
it was eight or nine generations ago it has still got a bearing on the landscape
today, Speer says, as it created two distinct cultures in Ulster and led to huge
resentment and discrimination.
Before I left home I'd been in
touch with my mother's first cousin, John Love, from Adelaide, the son of JRB
Love, the baby Bob who had come on that first long journey.
He'd
written that while some relatives had found records of people named Love and
Beattie who moved from Scotland to Ireland at the time of the Scottish
settlement nobody had traced an unbroken line of descent from those people to
us.
According to his family tree though Joseph's father was
James Love, a farmer from Bready, a town a little further north, where we
visited the next day. In pride of place is the new Bready Sollus Centre, built
by the Bready and District Ulster-Scots Development Association to promote an
interest in the area's culture and heritage.
My grandfather, George Love, was born in January 1892 in Dimboola, Victoria, the same year the
growing family moved to Strathalbyn in South Australia, where George Clarke Love
ministered until his death in 1929.
Moving to Australia and the
dry climate of SA must have worked, because "he lived to a ripe old age", John
Love says.
For me - a lapsed Presbyterian/Anglican - the
goosebump trail had led right back home again, with a stronger feeling of
connection and a desire to know more about my ancestors.

My great grandfather's signature