Whale Rock

Whale Rock

Diana Plater's latest book is available on:

Amazon: https://www.amazon.com/dp/1922261416
Amazon Australia: https://www.amazon.com.au/dp/B07NYHWNTR
Amazon UK: https://www.amazon.co.uk/dp/B07NYHWNTR
MoshShop: https://themoshshop.com.au/collections/new-releases/products/whale-rock-by-diana-plater
SmashWords: https://www.smashwords.com/books/view/924932


At her Tamarama café Shannon struggles with the loss of her marriage. A close friendship develops between her and Colin, an Indigenous elder, and Rafael, a Nicaraguan immigrant. When a worker plunges to his death on the building site opposite, journalist Vesna covers the story. But as their secrets are exposed all hell breaks loose and they discover they’re more connected than they ever imagined.


Whale Rock is provocative, stormy and sensual. Diana Plater gives us both human brutality and sensitivity in 21st century Sydney.

Alejandro Pérez, author, Modelo Económico

Feedback/reviews from readers:


4 June 2019

Format: Kindle EditionVerified Purchase

Thoroughly thoroughly enjoyed this book by Australian writer Diana Plater. It covers important issues in contemporary Australia, such as the treatment of refugees and indigenous Australians – the Stolen Generations – while involving the reader in the complex lives and relationships of a colourful cast. Great work.Reviewed by


BarbarinaS

5.0 out of 5 starsAn excellent read

12 April 2019 - Published on Amazon.com

Format: Kindle EditionVerified Purchase


jnana

5.0 out of 5 starsA thought provoking and rewarding read!

1 May 2019 - Published on Amazon.com

In an eastern suburbs beach side café (Tamarama, Sydney) where yummy mummies and aspiring screenwriters complain about too much or not enough froth on their babycinos and soy lattés, a deeper drama begins to unfold. Café owner Shannon, whose marriage is crumbling after the death of her second child, meets Rafael, a Nicaraguan immigrant who is working with her Koori friend Colin at a building site across the road. Rafael, who bears the scars of the Sandinista/Contra war, keeps his past well hidden. Colin too keeps mum about the cruel torture of growing up in the Kinchela Boys Home.

A mutual love of salsa music draws Shannon and Rafael close but just as love begins to blossom an incident occurs that brings government officials and the media swarming. Vesna, a seasoned journalist who covered the Kosovo atrocities in the 90s, is after a scoop on illegal immigrants and will go to any lengths to get it. All hell breaks loose as each character is forced to confront the consequences of their actions and come to terms with the traumas of their past.

In this gripping drama filled with astute insights and canny observances of urban life and modern relationships, Diana Plater digs deep to open the lid on how personal, political and collective trauma affects each and everyone of us.

There are no goodies or baddies in a story like this, just human beings coming unstuck, learning the hard way it is their humanity that will save them in the end.

A thought provoking and rewarding read!

Lucy de Bruce, PhD, University of Technology, Sydney:



Storyline:


Shannon is from a farm down the NSW South coast. The farm provides refuge when all is not well in her Sydney world. Her marriage to Tom, a philandering, firey, immigration lawyer of Serbian heritage, is on the rocks and there are inevitable tensions over money and access to their son, Maxie.


At the root of their problem is Shannon's stillbirth, which Tom blames her for, and for which she carries loss and guilt. To ensure there is cash flow in the floundering marriage, the frugal Tom sets Shannon up in a coffee shop on the Eastern beachside suburb of Tamarama. Her customers are construction workers, office workers, and glossy, pony-tailed yummy-mummies pushing giant baby buggies and hogging the tables at the cafe.


Shannon shuns the snobby, trendy, East Sydney scene preferring to cultivate an earthy, country-girl image. Her favourite refuge is a place she calls Whale Rock located on the flat rocks high above the crashing surf. It is a place that soothes her soul and where an engraving of a mother whale with a baby calf inside her, etched into the rocks, is a bewitching reminder of a sub-narrative flowing throughout Shannon's story.


At the cafe, two of Shannon's regular customers become close friends - Aboriginal Colin and Nicaraguan Rafael. Rafael enters her life at just the right time when she is feeling rejected and hopelessly inadequate as a wife, mother and daughter-in-law. The olive-skinned, pony-tailed and well-built Rafael gives her the Latin passion she craves in their sensual, erotic bedroom scenes above her cafe and in his bachelor pad. Rafael keeps an obsessive low profile; he was once a rebel leader for the Nicaraguan Sandinistas who fought the US-backed Contras. He too is scarred by a secret past in more ways than the torture burns on his body. He yearns to return to his homeland to resolve a botched love affair with an American journalist. His relationship with Shannon brings back painful memories.


Aboriginal Colin also fancies Shannon but ends up as a friend. As a five year old, Colin was a child of the infamous Kinchela Aboriginal Boys Home who was removed from his mother, Lily. He nurses a lifelong grief for his dead soldier father and older brother and tries to find out whatever happened to his mother. Lily, herself a child of the Cootamundra Aboriginal Girls Home, worked as a maid in white households down the south coast. Shannon becomes strangely obsessed by Colin's story and wants to help him find his mother. Disturbingly, Colin and Shannon share an explosive family secret.

Colin and Rafael work at a nearby building site where Colin is Rafael's boss. One day a worker is killed and there are whispers that his death may have been caused by workplace safety neglect.

Shannon, a hopeless do-gooder, insists on getting involved and through a woman acquaintance, Muslim Amany, is put in touch with Vesna, a journalist with a news wire service. Vesna is of Serbian descent and living at home (again) with her parents. When she and Shannon meet, they soon discover they share a tantalizing connection. Vesna snoops around, then publishes the workplace neglect story against the strong protests of Colin and Rafael. This leads to tragedy for Rafael.


Evaluation:


This is a fiction based on re-hashed and imagined characters from the author's past life as a journalist working in Australia, USA and Latin America. The five main characters are strangely intertwined through their parallel lives and dark secrets. The central character, Shannon, comes across as sunny and outgoing with a mischievous sense of humour. Yet a closer look reveals she is also fragile/broody/guilt-ridden/needy/selfish and erotic - with dark secrets. Tom (hapless husband) thinks she is entitled and spoiled. Her "complex" personality comes into play with the characters and situations she encounters.


The story is pacey and told in a light-hearted, cynical way, which counters some of the darker elements. Colourful vignettes of Sydney's affluent and struggling areas are deftly brushstroked as are scenes of life on her south coast farm. Like her beloved Whale Rock, the family farm ("in the valley") is a spiritual and healing place where she can escape from the big bad city. It is where treasured childhood memories, her own lost little one, and disturbing tales of Aboriginal/European relations are deeply etched into that rainforested landscape.


Conclusion:



Whale Rock is a seductive story with a cast of delicious, unexpected bedfellows! It is richly textured, exploring themes of love, grief, betrayal, child-loss, illegal immigration and brutality - all provocatively told by Sydney journalist, Diana Plater. The double narratives switching back and forth between Australia and Nicaragua are a small distraction but still work well. Overall, the book is well crafted, humorous and a page turner! Importantly, it tells the lives of invisible people in a powerful and engaging way. Above all, it shows that no matter how unremarkable a person's life may appear to be, the sheer wonder of the human experience, if well told, is as compelling and extraordinary as any noteworthy person.




Glenda:



Café owner and mother of one Shannon buries herself in work, after losing her second baby and marriage to Tom. The café she runs in Bondi is the intersection point for the five characters featured in this moving, bitingly honest debut novel by Diana Plater. Shannon doesn’t have much time for indulgent café society. She’s drawn instead to customers like Colin and Rafael who don’t fit the mould. Colin’s a foreman at a building site, struggling with scars laid down by his, and his mother’s Stolen Children upbringing in orphanages and foster homes. As with Colin, the fault line in Rafael’s life runs deep into history. Rafael’s a Nicaraguan construction worker, hiding out in Australia for a crime he committed back home during the Sandanista revolution of the ‘70s. A shared love of salsa, sparks a passionate connection between Shannon and Rafael, but their hopes founder on a journalist’s incorrigible ambition. Vesna’s struggling to retain her place at a newspaper that’s dying, but she has no intention of going down with it. Shoring up her options she starts an affair with Tom, Shannon’s ex – a Serbian Australian like herself - as well as an investigation that threatens to unravel Shannon and Rafael’s new happiness.


Tension builds and emotions run high as the characters are drawn into a race against time to beat their inner demons and defeat bloody minded officialdom. In a page turning finish, lives are nearly lost and redemption is found in unexpected ways.


Whale Rock is as diverse and complex as Australia, and every bit as interesting.


Messages:


I finished your book last week and thought it was fabulous. Absolutely gripping, found it hard to put down. Loved so many of the characters. Can't wait for your next novel!! Well done.


I just finished your book. A great book. I loved it. ...You should be proud of what you have written.

January 29, 2012

When the fish aren't biting


I find camping grounds scary places. You wonder why people didn’t just stay at home – with tents the size of McMansions, BBQs bigger than the average stove and enough fishing gear to send Lake Jindabyne dry.

So we normally avoid them at all costs.

That’s why I’ve discovered the Snowy Mountains in summer is not a bad alternative to the beach. The clime is slightly cooler and in Kosciuszko National Park you can camp anywhere you like so long as you can’t be seen from the road.

Our aim on our five-day trip was to do a major Alpine walk, explore a bit, try our hand at freshwater fishing and camp out. I’ve since realised it pays to be organised on such expeditions.

Many years ago when I lived in the Kimberley and Northern Territory my ute was equipped with a tin box full of camping utensils, including a couple of billies, a swag and water bottles. All have disappeared over the years. So into the back of the trusty Subaru we packed a couple of sleeping bags, a tent, the fishing lines and hooks, a bag of plastic plates and cups, knives and forks and  a thermos.

After a magic day of walking from Thredbo to Charlotte Pass, we headed off on our camping adventure. It was years since I’d been to the Snowies in summer and it was exciting to see the wildflowers out in bloom and the mountains green from all the rain. The unexpected part was also seeing people had lit fires at their camping spots – no bushfire ban so far these holidays.

Mmm, some matches might be a good idea, I thought as we stopped in Khancoban to buy supplies, including a torch at a rather under-equipped store. At the petrol station we were able to get fishing hooks.

“Do you have bait?” we asked.

“No, you have to go to 42 Alpine Way for that,” we were told and we headed back past the store.

An enterprising local had a thriving business selling worms from the neatest shed I’ve ever seen – with rows of caps and stubby holders displaying his collecting habits.

We asked if he knew where we could buy a billy – and he suggested the local op shop.
No billies there but decent frying pans and some more plastic plates.

“You need something good and deep for frying the trout you’re going to catch,” the woman in the store said hopefully.
 
Back up the road we found a good little picnic spot for our lunch and a possible place to throw in the line but then I realised we’d forgotten to get a license. Having been stopped before by a Hot Lips Houlihan lookalike when fishing on the south coast, we didn’t think it was worth the risk.

At Cabraumurra we swapped yarns with ruddy-faced men from Merimbula who’d been exploring back roads and finally picked up a licence as well as emergency food of tinned tuna and fresh bread. We were directed to Three Mile Dam opposite the Selwyn Snowfields as a good place to camp and fish.

It wasn’t long before we found a spot and took the tent out. Problem was it was missing a part and was therefore useless and anyway I thought we’d be warmer and more comfortable sleeping in the car. Then the March flies struck, stinging even through layers of clothes. Lucky the one thing I hadn’t forgotten was the Aeroguard.

Down at the dam the late afternoon sun was warm, leftover Christmas cake and luke-warm tea tasted heavenly as I read a novel and my husband fished. I could hear the wack wack of him hitting something with an empty bottle but ignored it.

But the fish weren’t biting, even with all that fresh worm bait. All he’d managed to catch was a pile of March flies.

 “Don’t worry we’ll go into Kiandra tomorrow and have a big brekky,” I said.

It wasn’t till the next morning as I stood at the Kiandra cemetery eating my bread and tinned tuna, since we also discovered the historic town had no shop or café, it dawned on me what would have made perfect bait: March flies.

January 10, 2012

A country pub joke



I was in the tiny hamlet of Wee Jasper recently, having taken a back road from Tumut to Yass (NSW).


After winding our way down the mountain on a rough, potholed road through part of the Brindabella Ranges, we stopped for a drink at the pub overlooking the Goodradigbee River. You can usually find a few jokes and funny comments on walls or in posters at such pubs, if not from patrons sitting at the bar.

I thought the one I found tacked to the wall worth sharing but can only paraphrase it:

Well Julia Guillard and Bob Brown decided it was time they visited the "country", talked to country folk and hopefully drummed up a few country votes. They dressed in their moleskins and Akubras and headed bush. Just for good measure they took a blue cattle dog with them.

Finding a nice country pub they wandered in to the bar.

"A couple of middies," Bob asked the bartender and they settled in the corner with their dog, waiting for likely constituents.

The next thing an old farmer came into the bar. He looked at the dog, picked up its hind leg, put it down, looked puzzled then walked up to the bar and asked for a drink.

About ten minutes later another farmer came in. He also looked at the dog, picked up its hind leg, put it down, with a very puzzled look and walked out again.

Yet another ten minutes and another farmer came in. This time he also did what the others had done but Bob could stand it no longer.

"Hey mate, why are you all looking under our dog like that?" he asked.

"Well," the farmer said. "I was told there was a cattle dog in here with a couple of arseholes."