Whale Rock

Whale Rock

Diana Plater's latest book is available on:

Amazon: https://www.amazon.com/dp/1922261416
Amazon Australia: https://www.amazon.com.au/dp/B07NYHWNTR
Amazon UK: https://www.amazon.co.uk/dp/B07NYHWNTR
MoshShop: https://themoshshop.com.au/collections/new-releases/products/whale-rock-by-diana-plater
SmashWords: https://www.smashwords.com/books/view/924932


At her Tamarama café Shannon struggles with the loss of her marriage. A close friendship develops between her and Colin, an Indigenous elder, and Rafael, a Nicaraguan immigrant. When a worker plunges to his death on the building site opposite, journalist Vesna covers the story. But as their secrets are exposed all hell breaks loose and they discover they’re more connected than they ever imagined.


Whale Rock is provocative, stormy and sensual. Diana Plater gives us both human brutality and sensitivity in 21st century Sydney.

Alejandro Pérez, author, Modelo Económico

Feedback/reviews from readers:


4 June 2019

Format: Kindle EditionVerified Purchase

Thoroughly thoroughly enjoyed this book by Australian writer Diana Plater. It covers important issues in contemporary Australia, such as the treatment of refugees and indigenous Australians – the Stolen Generations – while involving the reader in the complex lives and relationships of a colourful cast. Great work.Reviewed by


BarbarinaS

5.0 out of 5 starsAn excellent read

12 April 2019 - Published on Amazon.com

Format: Kindle EditionVerified Purchase


jnana

5.0 out of 5 starsA thought provoking and rewarding read!

1 May 2019 - Published on Amazon.com

In an eastern suburbs beach side café (Tamarama, Sydney) where yummy mummies and aspiring screenwriters complain about too much or not enough froth on their babycinos and soy lattés, a deeper drama begins to unfold. Café owner Shannon, whose marriage is crumbling after the death of her second child, meets Rafael, a Nicaraguan immigrant who is working with her Koori friend Colin at a building site across the road. Rafael, who bears the scars of the Sandinista/Contra war, keeps his past well hidden. Colin too keeps mum about the cruel torture of growing up in the Kinchela Boys Home.

A mutual love of salsa music draws Shannon and Rafael close but just as love begins to blossom an incident occurs that brings government officials and the media swarming. Vesna, a seasoned journalist who covered the Kosovo atrocities in the 90s, is after a scoop on illegal immigrants and will go to any lengths to get it. All hell breaks loose as each character is forced to confront the consequences of their actions and come to terms with the traumas of their past.

In this gripping drama filled with astute insights and canny observances of urban life and modern relationships, Diana Plater digs deep to open the lid on how personal, political and collective trauma affects each and everyone of us.

There are no goodies or baddies in a story like this, just human beings coming unstuck, learning the hard way it is their humanity that will save them in the end.

A thought provoking and rewarding read!

Lucy de Bruce, PhD, University of Technology, Sydney:



Storyline:


Shannon is from a farm down the NSW South coast. The farm provides refuge when all is not well in her Sydney world. Her marriage to Tom, a philandering, firey, immigration lawyer of Serbian heritage, is on the rocks and there are inevitable tensions over money and access to their son, Maxie.


At the root of their problem is Shannon's stillbirth, which Tom blames her for, and for which she carries loss and guilt. To ensure there is cash flow in the floundering marriage, the frugal Tom sets Shannon up in a coffee shop on the Eastern beachside suburb of Tamarama. Her customers are construction workers, office workers, and glossy, pony-tailed yummy-mummies pushing giant baby buggies and hogging the tables at the cafe.


Shannon shuns the snobby, trendy, East Sydney scene preferring to cultivate an earthy, country-girl image. Her favourite refuge is a place she calls Whale Rock located on the flat rocks high above the crashing surf. It is a place that soothes her soul and where an engraving of a mother whale with a baby calf inside her, etched into the rocks, is a bewitching reminder of a sub-narrative flowing throughout Shannon's story.


At the cafe, two of Shannon's regular customers become close friends - Aboriginal Colin and Nicaraguan Rafael. Rafael enters her life at just the right time when she is feeling rejected and hopelessly inadequate as a wife, mother and daughter-in-law. The olive-skinned, pony-tailed and well-built Rafael gives her the Latin passion she craves in their sensual, erotic bedroom scenes above her cafe and in his bachelor pad. Rafael keeps an obsessive low profile; he was once a rebel leader for the Nicaraguan Sandinistas who fought the US-backed Contras. He too is scarred by a secret past in more ways than the torture burns on his body. He yearns to return to his homeland to resolve a botched love affair with an American journalist. His relationship with Shannon brings back painful memories.


Aboriginal Colin also fancies Shannon but ends up as a friend. As a five year old, Colin was a child of the infamous Kinchela Aboriginal Boys Home who was removed from his mother, Lily. He nurses a lifelong grief for his dead soldier father and older brother and tries to find out whatever happened to his mother. Lily, herself a child of the Cootamundra Aboriginal Girls Home, worked as a maid in white households down the south coast. Shannon becomes strangely obsessed by Colin's story and wants to help him find his mother. Disturbingly, Colin and Shannon share an explosive family secret.

Colin and Rafael work at a nearby building site where Colin is Rafael's boss. One day a worker is killed and there are whispers that his death may have been caused by workplace safety neglect.

Shannon, a hopeless do-gooder, insists on getting involved and through a woman acquaintance, Muslim Amany, is put in touch with Vesna, a journalist with a news wire service. Vesna is of Serbian descent and living at home (again) with her parents. When she and Shannon meet, they soon discover they share a tantalizing connection. Vesna snoops around, then publishes the workplace neglect story against the strong protests of Colin and Rafael. This leads to tragedy for Rafael.


Evaluation:


This is a fiction based on re-hashed and imagined characters from the author's past life as a journalist working in Australia, USA and Latin America. The five main characters are strangely intertwined through their parallel lives and dark secrets. The central character, Shannon, comes across as sunny and outgoing with a mischievous sense of humour. Yet a closer look reveals she is also fragile/broody/guilt-ridden/needy/selfish and erotic - with dark secrets. Tom (hapless husband) thinks she is entitled and spoiled. Her "complex" personality comes into play with the characters and situations she encounters.


The story is pacey and told in a light-hearted, cynical way, which counters some of the darker elements. Colourful vignettes of Sydney's affluent and struggling areas are deftly brushstroked as are scenes of life on her south coast farm. Like her beloved Whale Rock, the family farm ("in the valley") is a spiritual and healing place where she can escape from the big bad city. It is where treasured childhood memories, her own lost little one, and disturbing tales of Aboriginal/European relations are deeply etched into that rainforested landscape.


Conclusion:



Whale Rock is a seductive story with a cast of delicious, unexpected bedfellows! It is richly textured, exploring themes of love, grief, betrayal, child-loss, illegal immigration and brutality - all provocatively told by Sydney journalist, Diana Plater. The double narratives switching back and forth between Australia and Nicaragua are a small distraction but still work well. Overall, the book is well crafted, humorous and a page turner! Importantly, it tells the lives of invisible people in a powerful and engaging way. Above all, it shows that no matter how unremarkable a person's life may appear to be, the sheer wonder of the human experience, if well told, is as compelling and extraordinary as any noteworthy person.




Glenda:



Café owner and mother of one Shannon buries herself in work, after losing her second baby and marriage to Tom. The café she runs in Bondi is the intersection point for the five characters featured in this moving, bitingly honest debut novel by Diana Plater. Shannon doesn’t have much time for indulgent café society. She’s drawn instead to customers like Colin and Rafael who don’t fit the mould. Colin’s a foreman at a building site, struggling with scars laid down by his, and his mother’s Stolen Children upbringing in orphanages and foster homes. As with Colin, the fault line in Rafael’s life runs deep into history. Rafael’s a Nicaraguan construction worker, hiding out in Australia for a crime he committed back home during the Sandanista revolution of the ‘70s. A shared love of salsa, sparks a passionate connection between Shannon and Rafael, but their hopes founder on a journalist’s incorrigible ambition. Vesna’s struggling to retain her place at a newspaper that’s dying, but she has no intention of going down with it. Shoring up her options she starts an affair with Tom, Shannon’s ex – a Serbian Australian like herself - as well as an investigation that threatens to unravel Shannon and Rafael’s new happiness.


Tension builds and emotions run high as the characters are drawn into a race against time to beat their inner demons and defeat bloody minded officialdom. In a page turning finish, lives are nearly lost and redemption is found in unexpected ways.


Whale Rock is as diverse and complex as Australia, and every bit as interesting.


Messages:


I finished your book last week and thought it was fabulous. Absolutely gripping, found it hard to put down. Loved so many of the characters. Can't wait for your next novel!! Well done.


I just finished your book. A great book. I loved it. ...You should be proud of what you have written.

March 07, 2009

The Democratic Convention (Last Year)


Diana Plater was in Denver and St Paul for the US presidential conventions. Here she provides a day-by-day perspective on democracy at work, American-style.

Wednesday August 27:
I arrive in Denver, Colorado for the Democratic National Convention.
The town's hopping with delegates, lobbyists, congressmen and women, senators, observers, protesters, celebrities and media from all over the world. Down at the 16th Street Mall I'm handed a leaflet from a woman holding a "Bird Porn" sign, which says bird watchers are more sexually active than others, possibly the strangest of the literature I see distributed during four days of partying.
Outside a juice shop I meet Jarrot R Jordan, a political strategist from Atlanta, who's excited to be in town to see the first African American candidate for the White House - Barack Obama - accepting his nomination.
"For me it's historic," he says. "I had to be here."
I catch a shuttle bus to the Pepsi Centre with scores of others after walking past stall after stall of political paraphernalia - everything from T-shirts of Obama next to Martin Luther King saying Dreams Do Come True to laughing Hillary Clinton pens.
That afternoon, the traditional roll call showing how the states voted is suspended with the backing of a laughing Hillary Clinton, allowing Obama to be officially nominated. The Clintonistas are not so happy. I speak to several who feel the country has been robbed of the chance to have a woman president.
But as proceedings continue delegates appear united in support of Obama and his vice presidential candidate Joe Biden, with a choreographed holding up of "Biden", "Change" and other sloganed signs. Other speakers include former president Bill Clinton and an injured female helicopter pilot who complains that the "warriors" of Iraq are not being looked after by the government.
At the media bar in one of the tents in the grounds of the Pepsi Centre free alcohol flows and a black woman anthropologist from Minneapolis says she doesn't see any clash between a black and a woman candidate.
"Obama's the president America needs now, he reflects the diversity of the country. Can you imagine if an Aborigine ran for leader of your country, what kind of breakthrough that would be?"

Thursday August 28:
The event at Invesco Field, a football stadium outside the city centre where Obama delivers his acceptance speech, is more like a rock concert than a political gathering - except for the thousands of American flags. Obama reminds his audience it's 45 years to the day since people in Washington came to hear a "young preacher from Georgia speak of his dream". Confetti - an environmentally friendly alternative to balloons - rains down as fireworks blast the summer night sky.
Later an American colleague says the election on November 4 will come down to "who's afraid of the dark?".
"I believe race is really an excuse to mask the fears," he says. "Yet there's no logical explanation to these race fears."
On Friday August 29 Republican Presidential nominee John McCain announces his running mate - Sarah Palin, the governor of Alaska - and the spotlight is immediately lifted off Obama. The debate begins about who has more executive experience - the hunter, fisher and "hockey mom" of five or the black senator.

Monday September 1:
I'm in St Paul, one half of the twin cities of Minnesota (the other's Minneapolis) where the Republican National Convention is to be held. Only the convention isn't happening - it's been postponed because of Hurricane Gustav. But everybody's saying that's an excuse not to have McCain seen on prime time television with the unpopular President George Bush.
It's Labor Day and the town is dead as we drive in from our Days Inn chain motel at Eagan, a suburb kilometres out near the airport and The Mall of America, one of many hotels to which delegate and media have been designated, with infrequent shuttle services into the city.
The contrast with Denver is almost surreal.
While first ladies Laura (Bush) and Cindy (McCain) speak to the almost empty convention, a radical group has broken away from a planned huge demonstration and is going wild in the streets. Police spray some of them with mace, which they attempt to wipe off with vinegar brought along for the occasion.
One of the protesters, Ragnar as he wants to be known, tells me he's 18 and this will be the first presidential election he can vote in.
"In the past eight years a lot of freedoms have been flushed away in the name of security," he says.
Lee Beauduy is one of several people holding red and white banners saying "Victory over terrorism. Let our soldiers win" who whistle and clap the police for their anti-protesters action.
"We have not been hit since 9/11 because of the war," he says.
Soon around 10,000 people start marching past, with banners covering every issue from anti-war to immigration.
Back at the Hilton Garden Inn I meet musician Al Williams III who is tinkling the ivories of a grand piano in one of the reception rooms. He's killing time because his gig - playing between speeches a the convention - has been cancelled.
"They're trying to fit me in tomorrow," the flautist and saxophonist says. He doesn't want to get into a political discussion.
At a bar in the hotel we watch CNN's news flash - Sarah Palin's 17-year-old daughter Bristol is five months pregnant. (Later it emerges that Palin disclosed the pregnancy to rebut rumours that her Down Syndrome baby son, Trig, is actually Bristol's child.) Over and over on TV there's the same footage of the poor girl clutching the baby.
Is life imitating art? I wonder, as I have just seen a play written in the 60s by Gore Vidal, Weekend, which is all about a Republican presidential candidate finding out his son's black fiance is pregnant, which could ruin his chances of being nominated.
In the room with the piano a reception is starting for the Conservative Movements Leaders - the party heavies. Red and white "I Vote Pro-Life" badges are strewn across the tables and a priest wanders around drinking a glass of red wine.
Women in tight pencil skirts and stilettos are talking about how Palin has "energised" the election, admitting they thought they were on a loser until McCain's unorthodox choice of running partner.

Tuesday September 2
Breakfast at the Days Inn, Eagan. Portly Republican delegates choose between waffles and cereal and watch TV as outside rain threatens.
"It's no big deal, " says one, commenting on the by now famous pregnancy.
At the Foreign Press Centre at the convention centre congressman for Puerto Rico Luis G Fortuno, briefing journalists, says Hispanic women who loved Clinton may now vote for Palin because they believe she represents family values.
"It (the pregnancy) shows a typical family with typical issues," he says.
That night George Bush speaks to the convention via satellite and former presidential candidate Law and Order star Fred Thompson receives rapturous applause when he supports McCain and describes Palin as a breath of fresh air.
Al Williams' band finally gets to play.
Outside in the street pretty girls in yellow t-shirts give out badges advertising condoms, which "save lives". On the next corner a replica Guantanamo prison has been established and people in orange overalls give out leaflets.
At Minneapolis a fund-raising function for the Young Guns is being held at Brits Pub - an organisation of young people dedicated to targeting seats held by first-term Democrats.
Later that evening tango, flamenco and belly dancers entertain solar power industry lobbyists hoping a senator or two will drop in.
Next door a gay bar is almost empty except for two men on the dance floor.
"Maybe they're all at the Log Cabin reception," somebody quips - that's the group that represents Gay Republicans.
God Bless America!