Whale Rock

Whale Rock

Diana Plater's latest book is available on:

Amazon: https://www.amazon.com/dp/1922261416
Amazon Australia: https://www.amazon.com.au/dp/B07NYHWNTR
Amazon UK: https://www.amazon.co.uk/dp/B07NYHWNTR
MoshShop: https://themoshshop.com.au/collections/new-releases/products/whale-rock-by-diana-plater
SmashWords: https://www.smashwords.com/books/view/924932


At her Tamarama café Shannon struggles with the loss of her marriage. A close friendship develops between her and Colin, an Indigenous elder, and Rafael, a Nicaraguan immigrant. When a worker plunges to his death on the building site opposite, journalist Vesna covers the story. But as their secrets are exposed all hell breaks loose and they discover they’re more connected than they ever imagined.


Whale Rock is provocative, stormy and sensual. Diana Plater gives us both human brutality and sensitivity in 21st century Sydney.

Alejandro Pérez, author, Modelo Económico

Feedback/reviews from readers:


4 June 2019

Format: Kindle EditionVerified Purchase

Thoroughly thoroughly enjoyed this book by Australian writer Diana Plater. It covers important issues in contemporary Australia, such as the treatment of refugees and indigenous Australians – the Stolen Generations – while involving the reader in the complex lives and relationships of a colourful cast. Great work.Reviewed by


BarbarinaS

5.0 out of 5 starsAn excellent read

12 April 2019 - Published on Amazon.com

Format: Kindle EditionVerified Purchase


jnana

5.0 out of 5 starsA thought provoking and rewarding read!

1 May 2019 - Published on Amazon.com

In an eastern suburbs beach side café (Tamarama, Sydney) where yummy mummies and aspiring screenwriters complain about too much or not enough froth on their babycinos and soy lattés, a deeper drama begins to unfold. Café owner Shannon, whose marriage is crumbling after the death of her second child, meets Rafael, a Nicaraguan immigrant who is working with her Koori friend Colin at a building site across the road. Rafael, who bears the scars of the Sandinista/Contra war, keeps his past well hidden. Colin too keeps mum about the cruel torture of growing up in the Kinchela Boys Home.

A mutual love of salsa music draws Shannon and Rafael close but just as love begins to blossom an incident occurs that brings government officials and the media swarming. Vesna, a seasoned journalist who covered the Kosovo atrocities in the 90s, is after a scoop on illegal immigrants and will go to any lengths to get it. All hell breaks loose as each character is forced to confront the consequences of their actions and come to terms with the traumas of their past.

In this gripping drama filled with astute insights and canny observances of urban life and modern relationships, Diana Plater digs deep to open the lid on how personal, political and collective trauma affects each and everyone of us.

There are no goodies or baddies in a story like this, just human beings coming unstuck, learning the hard way it is their humanity that will save them in the end.

A thought provoking and rewarding read!

Lucy de Bruce, PhD, University of Technology, Sydney:



Storyline:


Shannon is from a farm down the NSW South coast. The farm provides refuge when all is not well in her Sydney world. Her marriage to Tom, a philandering, firey, immigration lawyer of Serbian heritage, is on the rocks and there are inevitable tensions over money and access to their son, Maxie.


At the root of their problem is Shannon's stillbirth, which Tom blames her for, and for which she carries loss and guilt. To ensure there is cash flow in the floundering marriage, the frugal Tom sets Shannon up in a coffee shop on the Eastern beachside suburb of Tamarama. Her customers are construction workers, office workers, and glossy, pony-tailed yummy-mummies pushing giant baby buggies and hogging the tables at the cafe.


Shannon shuns the snobby, trendy, East Sydney scene preferring to cultivate an earthy, country-girl image. Her favourite refuge is a place she calls Whale Rock located on the flat rocks high above the crashing surf. It is a place that soothes her soul and where an engraving of a mother whale with a baby calf inside her, etched into the rocks, is a bewitching reminder of a sub-narrative flowing throughout Shannon's story.


At the cafe, two of Shannon's regular customers become close friends - Aboriginal Colin and Nicaraguan Rafael. Rafael enters her life at just the right time when she is feeling rejected and hopelessly inadequate as a wife, mother and daughter-in-law. The olive-skinned, pony-tailed and well-built Rafael gives her the Latin passion she craves in their sensual, erotic bedroom scenes above her cafe and in his bachelor pad. Rafael keeps an obsessive low profile; he was once a rebel leader for the Nicaraguan Sandinistas who fought the US-backed Contras. He too is scarred by a secret past in more ways than the torture burns on his body. He yearns to return to his homeland to resolve a botched love affair with an American journalist. His relationship with Shannon brings back painful memories.


Aboriginal Colin also fancies Shannon but ends up as a friend. As a five year old, Colin was a child of the infamous Kinchela Aboriginal Boys Home who was removed from his mother, Lily. He nurses a lifelong grief for his dead soldier father and older brother and tries to find out whatever happened to his mother. Lily, herself a child of the Cootamundra Aboriginal Girls Home, worked as a maid in white households down the south coast. Shannon becomes strangely obsessed by Colin's story and wants to help him find his mother. Disturbingly, Colin and Shannon share an explosive family secret.

Colin and Rafael work at a nearby building site where Colin is Rafael's boss. One day a worker is killed and there are whispers that his death may have been caused by workplace safety neglect.

Shannon, a hopeless do-gooder, insists on getting involved and through a woman acquaintance, Muslim Amany, is put in touch with Vesna, a journalist with a news wire service. Vesna is of Serbian descent and living at home (again) with her parents. When she and Shannon meet, they soon discover they share a tantalizing connection. Vesna snoops around, then publishes the workplace neglect story against the strong protests of Colin and Rafael. This leads to tragedy for Rafael.


Evaluation:


This is a fiction based on re-hashed and imagined characters from the author's past life as a journalist working in Australia, USA and Latin America. The five main characters are strangely intertwined through their parallel lives and dark secrets. The central character, Shannon, comes across as sunny and outgoing with a mischievous sense of humour. Yet a closer look reveals she is also fragile/broody/guilt-ridden/needy/selfish and erotic - with dark secrets. Tom (hapless husband) thinks she is entitled and spoiled. Her "complex" personality comes into play with the characters and situations she encounters.


The story is pacey and told in a light-hearted, cynical way, which counters some of the darker elements. Colourful vignettes of Sydney's affluent and struggling areas are deftly brushstroked as are scenes of life on her south coast farm. Like her beloved Whale Rock, the family farm ("in the valley") is a spiritual and healing place where she can escape from the big bad city. It is where treasured childhood memories, her own lost little one, and disturbing tales of Aboriginal/European relations are deeply etched into that rainforested landscape.


Conclusion:



Whale Rock is a seductive story with a cast of delicious, unexpected bedfellows! It is richly textured, exploring themes of love, grief, betrayal, child-loss, illegal immigration and brutality - all provocatively told by Sydney journalist, Diana Plater. The double narratives switching back and forth between Australia and Nicaragua are a small distraction but still work well. Overall, the book is well crafted, humorous and a page turner! Importantly, it tells the lives of invisible people in a powerful and engaging way. Above all, it shows that no matter how unremarkable a person's life may appear to be, the sheer wonder of the human experience, if well told, is as compelling and extraordinary as any noteworthy person.




Glenda:



Café owner and mother of one Shannon buries herself in work, after losing her second baby and marriage to Tom. The café she runs in Bondi is the intersection point for the five characters featured in this moving, bitingly honest debut novel by Diana Plater. Shannon doesn’t have much time for indulgent café society. She’s drawn instead to customers like Colin and Rafael who don’t fit the mould. Colin’s a foreman at a building site, struggling with scars laid down by his, and his mother’s Stolen Children upbringing in orphanages and foster homes. As with Colin, the fault line in Rafael’s life runs deep into history. Rafael’s a Nicaraguan construction worker, hiding out in Australia for a crime he committed back home during the Sandanista revolution of the ‘70s. A shared love of salsa, sparks a passionate connection between Shannon and Rafael, but their hopes founder on a journalist’s incorrigible ambition. Vesna’s struggling to retain her place at a newspaper that’s dying, but she has no intention of going down with it. Shoring up her options she starts an affair with Tom, Shannon’s ex – a Serbian Australian like herself - as well as an investigation that threatens to unravel Shannon and Rafael’s new happiness.


Tension builds and emotions run high as the characters are drawn into a race against time to beat their inner demons and defeat bloody minded officialdom. In a page turning finish, lives are nearly lost and redemption is found in unexpected ways.


Whale Rock is as diverse and complex as Australia, and every bit as interesting.


Messages:


I finished your book last week and thought it was fabulous. Absolutely gripping, found it hard to put down. Loved so many of the characters. Can't wait for your next novel!! Well done.


I just finished your book. A great book. I loved it. ...You should be proud of what you have written.

December 27, 2010

Leechy Leech


Bushwalkers beware. Or that is, novice bushwalkers. Experienced ones are totally aware.

A fate worse than death awaits you.
Well, a bit of discomfit and creepiness awaits you.

Heavy rain and tropical temperatures have brought out the walker's enemy - the humble leech or R. aus­tralis. The blood-sucking animal variety.

Leeches have had an ignoble history. They've been worshipped as much as they've been despised. For hundreds of years doctors used them to suck the "bad" blood out of patients, and to try to cure everything from insomnia to cancer. Today they're back in fashion with some of the medical fraternity - who are using them to help with everything from micro­surgery to plastic surgery.

But that doesn't help those of us who just want to go for a walk in the rain without having our appendages covered in the little blighters getting fat on our blood.

So here's a few tips:

If you're in a group walk at the front. It will only dawn on the leeches after you have passed that prey awaits and the second, third and fourth walker will only be attacked.

Don't walk barefoot. You're asking for trouble as my son and his friends discovered on a recent hike on the NSW South Coast. Their feet were totally covered in leeches within a few minutes.

Wear Rid (or some such similar insect repellant). Smother your legs in it.You can also use it to get the blighters off. Salt also works wonders. And boots aren't a bad idea either as a prevention although they're sure to crawl inside.

I've heard there's such a miraculous thing as socks that stop leeches as well although I haven't found them anywhere.

And then ofcourse smoking bushwalkers get it easy. They just have to put their cigarette near the slimy animal and it's gone. For once, smokers are popular with non-smokers.

If all else fails, throw the Tea Tree oil on later to stop the itching.

Have a great bushwalk!

December 13, 2010

Strut your stuff


My number one advice to women travelling on their own is always sit at the bar.

First stop at your hotel after plonking your bags and checking out the movie list and the mini bar should be the hotel bar if it has one or a nearby establishment.

Don't let haughty waitresses fling you into a corner, where nobody - particularly eligible men - can see you.

They may think you're a high-class escort as you hold up the bar, but at least somebody will talk to you. And if they don't there's always the barman.

Discussion around women travelling on their own seems to centre on fear of being hassled by men. I'm going to go out on a limb now - but aren't many women travelling because they WANT to meet men?

OK nobody wants to be hassled or have crude comments made towards them as they walk down the street. But a little attention can be a good thing.

Once in New York I was walking past a building site and a workman whistled at me. (This was a few years - well, decades - ago.)

I turned round and said, "Say something nice, don't just whistle."

"Red's your colour," he announced as I was wearing a red shirt.

Well that made my day.

The best thing about travel is meeting people, although monuments like the Taj Mahal, the Pyramids and Angkor Wat surpass most you come across.

So get out there, order a Margarita or a Martini - not some silly cocktail for people who prefer dessert to alcohol - and strut your stuff.

P.S. The photo here is not of me in a bar but squeezing through a cave. It was the best I could find for the time being!

The Red Terror was a u beaut ute


I felt like a bit of a goose driving a Toyota ute to the Deniliquin Ute Muster.
Not because it was a ute but because it had AVIS painted very boldly on the passenger door.
I'd jokingly suggested I rent a ute but didn't expect there'd be one waiting for me at the airport in Albury.
Anyway it was a lot easier to drive than the 1970 Falcoln ute I used to own when I lived in the Kimberley and the Northern Territory in the early 80s.
That one was red, although I later had to replace its tailgate with a yellow one. With the black tyres, my Red Terror represented the Aboriginal colours.
I'd bought it from a depot for old government cars in Derby.
It had a lot of things wrong with it, and enough rust to sink a battleship but I loved that ute.
The gears would get stuck and I'd have to open the bonnet, jump out of the car and wiggle them around. And it was hard when I was at the top of a hill!
Then jumping back in I'd wave to all the people laughing at me.
But my beast certainly wasn't the hotted-up version of a ute that you see at the ute muster - with bullbars, aerials, flags and massive headlights and stickers of cow horns and pubs the owners had drunk at stuck to the rear windscreen.
I doubt if I would have been let into a B and S country ute club.
And the burnouts and donuts I did in it were not intentional.
It could go almost anywhere a four wheel drive could go and I drove that ute all over the country - across the Kimberley several times, up the Tanami from Alice Springs to Wave Hill and then on to the Kimberley, and eventually from Darwin to Sydney via Mt Isa and western Queensland.
Many people - including scores of kids - got lifts with me, as they piled into the back. Those were the days when you were allowed to do that.
While dust streamed in through every crack, music blasted from my portable tape recorder. The tapes would be played until the dust got the better of them.
On the back, I had a tin box with my food and gear, another with tools and ofcourse a swag. You could live out of it.
But it wasn't secure. Several times I had things, including my spare tyre, stolen out of the back - usually when I was in town.
I also had a dog who sat in the back, but not as obediently as most you see. She had a habit of jumping off at traffic lights to hide in the shade.
She'd been given to me by Aboriginal people from Borroloola in the Northern Territory and her name, Iyupi, meant good. Bit of a misnomer. Bitsa may have been better.
I eventually sold the ute to somebody in Adelaide for a few hundred dollars who I think just wanted it for spare parts. I was sad to see it go, but relieved to buy a car that didn't need the gears unjammed everytime I got into it.