Whale Rock

Whale Rock

Diana Plater's latest book is available on:

Amazon: https://www.amazon.com/dp/1922261416
Amazon Australia: https://www.amazon.com.au/dp/B07NYHWNTR
Amazon UK: https://www.amazon.co.uk/dp/B07NYHWNTR
MoshShop: https://themoshshop.com.au/collections/new-releases/products/whale-rock-by-diana-plater
SmashWords: https://www.smashwords.com/books/view/924932


At her Tamarama café Shannon struggles with the loss of her marriage. A close friendship develops between her and Colin, an Indigenous elder, and Rafael, a Nicaraguan immigrant. When a worker plunges to his death on the building site opposite, journalist Vesna covers the story. But as their secrets are exposed all hell breaks loose and they discover they’re more connected than they ever imagined.


Whale Rock is provocative, stormy and sensual. Diana Plater gives us both human brutality and sensitivity in 21st century Sydney.

Alejandro Pérez, author, Modelo Económico

Feedback/reviews from readers:


4 June 2019

Format: Kindle EditionVerified Purchase

Thoroughly thoroughly enjoyed this book by Australian writer Diana Plater. It covers important issues in contemporary Australia, such as the treatment of refugees and indigenous Australians – the Stolen Generations – while involving the reader in the complex lives and relationships of a colourful cast. Great work.Reviewed by


BarbarinaS

5.0 out of 5 starsAn excellent read

12 April 2019 - Published on Amazon.com

Format: Kindle EditionVerified Purchase


jnana

5.0 out of 5 starsA thought provoking and rewarding read!

1 May 2019 - Published on Amazon.com

In an eastern suburbs beach side café (Tamarama, Sydney) where yummy mummies and aspiring screenwriters complain about too much or not enough froth on their babycinos and soy lattés, a deeper drama begins to unfold. Café owner Shannon, whose marriage is crumbling after the death of her second child, meets Rafael, a Nicaraguan immigrant who is working with her Koori friend Colin at a building site across the road. Rafael, who bears the scars of the Sandinista/Contra war, keeps his past well hidden. Colin too keeps mum about the cruel torture of growing up in the Kinchela Boys Home.

A mutual love of salsa music draws Shannon and Rafael close but just as love begins to blossom an incident occurs that brings government officials and the media swarming. Vesna, a seasoned journalist who covered the Kosovo atrocities in the 90s, is after a scoop on illegal immigrants and will go to any lengths to get it. All hell breaks loose as each character is forced to confront the consequences of their actions and come to terms with the traumas of their past.

In this gripping drama filled with astute insights and canny observances of urban life and modern relationships, Diana Plater digs deep to open the lid on how personal, political and collective trauma affects each and everyone of us.

There are no goodies or baddies in a story like this, just human beings coming unstuck, learning the hard way it is their humanity that will save them in the end.

A thought provoking and rewarding read!

Lucy de Bruce, PhD, University of Technology, Sydney:



Storyline:


Shannon is from a farm down the NSW South coast. The farm provides refuge when all is not well in her Sydney world. Her marriage to Tom, a philandering, firey, immigration lawyer of Serbian heritage, is on the rocks and there are inevitable tensions over money and access to their son, Maxie.


At the root of their problem is Shannon's stillbirth, which Tom blames her for, and for which she carries loss and guilt. To ensure there is cash flow in the floundering marriage, the frugal Tom sets Shannon up in a coffee shop on the Eastern beachside suburb of Tamarama. Her customers are construction workers, office workers, and glossy, pony-tailed yummy-mummies pushing giant baby buggies and hogging the tables at the cafe.


Shannon shuns the snobby, trendy, East Sydney scene preferring to cultivate an earthy, country-girl image. Her favourite refuge is a place she calls Whale Rock located on the flat rocks high above the crashing surf. It is a place that soothes her soul and where an engraving of a mother whale with a baby calf inside her, etched into the rocks, is a bewitching reminder of a sub-narrative flowing throughout Shannon's story.


At the cafe, two of Shannon's regular customers become close friends - Aboriginal Colin and Nicaraguan Rafael. Rafael enters her life at just the right time when she is feeling rejected and hopelessly inadequate as a wife, mother and daughter-in-law. The olive-skinned, pony-tailed and well-built Rafael gives her the Latin passion she craves in their sensual, erotic bedroom scenes above her cafe and in his bachelor pad. Rafael keeps an obsessive low profile; he was once a rebel leader for the Nicaraguan Sandinistas who fought the US-backed Contras. He too is scarred by a secret past in more ways than the torture burns on his body. He yearns to return to his homeland to resolve a botched love affair with an American journalist. His relationship with Shannon brings back painful memories.


Aboriginal Colin also fancies Shannon but ends up as a friend. As a five year old, Colin was a child of the infamous Kinchela Aboriginal Boys Home who was removed from his mother, Lily. He nurses a lifelong grief for his dead soldier father and older brother and tries to find out whatever happened to his mother. Lily, herself a child of the Cootamundra Aboriginal Girls Home, worked as a maid in white households down the south coast. Shannon becomes strangely obsessed by Colin's story and wants to help him find his mother. Disturbingly, Colin and Shannon share an explosive family secret.

Colin and Rafael work at a nearby building site where Colin is Rafael's boss. One day a worker is killed and there are whispers that his death may have been caused by workplace safety neglect.

Shannon, a hopeless do-gooder, insists on getting involved and through a woman acquaintance, Muslim Amany, is put in touch with Vesna, a journalist with a news wire service. Vesna is of Serbian descent and living at home (again) with her parents. When she and Shannon meet, they soon discover they share a tantalizing connection. Vesna snoops around, then publishes the workplace neglect story against the strong protests of Colin and Rafael. This leads to tragedy for Rafael.


Evaluation:


This is a fiction based on re-hashed and imagined characters from the author's past life as a journalist working in Australia, USA and Latin America. The five main characters are strangely intertwined through their parallel lives and dark secrets. The central character, Shannon, comes across as sunny and outgoing with a mischievous sense of humour. Yet a closer look reveals she is also fragile/broody/guilt-ridden/needy/selfish and erotic - with dark secrets. Tom (hapless husband) thinks she is entitled and spoiled. Her "complex" personality comes into play with the characters and situations she encounters.


The story is pacey and told in a light-hearted, cynical way, which counters some of the darker elements. Colourful vignettes of Sydney's affluent and struggling areas are deftly brushstroked as are scenes of life on her south coast farm. Like her beloved Whale Rock, the family farm ("in the valley") is a spiritual and healing place where she can escape from the big bad city. It is where treasured childhood memories, her own lost little one, and disturbing tales of Aboriginal/European relations are deeply etched into that rainforested landscape.


Conclusion:



Whale Rock is a seductive story with a cast of delicious, unexpected bedfellows! It is richly textured, exploring themes of love, grief, betrayal, child-loss, illegal immigration and brutality - all provocatively told by Sydney journalist, Diana Plater. The double narratives switching back and forth between Australia and Nicaragua are a small distraction but still work well. Overall, the book is well crafted, humorous and a page turner! Importantly, it tells the lives of invisible people in a powerful and engaging way. Above all, it shows that no matter how unremarkable a person's life may appear to be, the sheer wonder of the human experience, if well told, is as compelling and extraordinary as any noteworthy person.




Glenda:



Café owner and mother of one Shannon buries herself in work, after losing her second baby and marriage to Tom. The café she runs in Bondi is the intersection point for the five characters featured in this moving, bitingly honest debut novel by Diana Plater. Shannon doesn’t have much time for indulgent café society. She’s drawn instead to customers like Colin and Rafael who don’t fit the mould. Colin’s a foreman at a building site, struggling with scars laid down by his, and his mother’s Stolen Children upbringing in orphanages and foster homes. As with Colin, the fault line in Rafael’s life runs deep into history. Rafael’s a Nicaraguan construction worker, hiding out in Australia for a crime he committed back home during the Sandanista revolution of the ‘70s. A shared love of salsa, sparks a passionate connection between Shannon and Rafael, but their hopes founder on a journalist’s incorrigible ambition. Vesna’s struggling to retain her place at a newspaper that’s dying, but she has no intention of going down with it. Shoring up her options she starts an affair with Tom, Shannon’s ex – a Serbian Australian like herself - as well as an investigation that threatens to unravel Shannon and Rafael’s new happiness.


Tension builds and emotions run high as the characters are drawn into a race against time to beat their inner demons and defeat bloody minded officialdom. In a page turning finish, lives are nearly lost and redemption is found in unexpected ways.


Whale Rock is as diverse and complex as Australia, and every bit as interesting.


Messages:


I finished your book last week and thought it was fabulous. Absolutely gripping, found it hard to put down. Loved so many of the characters. Can't wait for your next novel!! Well done.


I just finished your book. A great book. I loved it. ...You should be proud of what you have written.

January 28, 2011

Strayaday at Maccas

It’s Strayaday and I’m hurtling down the highway, in need of a coffee.

The big M sign comes towards me like a mirage.

Ah McCafe - the place we know from Oprah where every trendy Aussie goes for their morning macchiato.

Ah the half-way-to-the-country Maccas, saviour of many a school-holiday kids-filled car.

Ah a place to use the bathroom and grab a bite.

Outside the men with tats, shorts and Australia Day t-shirts are chatting as their dogs roam the backs of their flag-covered utes.

Inside it’s packed with Aussies celebrating their national day. A group of Chinese Aussies are eating coconut cake from their own plastic bags and drinking McCafe coffees from paper cups.

At another table a European mama Aussie and her son are eating tuna out of tins from a small esky.

It’s a new trend in such a trendy place: “bring-your-own McDonald’s”. But I don’t think people have quite realised yet that picnics are meant to be held outside.

Two kids with Aussie flags tied to them and their faces painted wander past in pursuit of Happy Meals.

I get into a conversation with an elderly woman while waiting for my cappuccino. She’s going to a family barbecue around the corner.

“My husband just had to pop out to make a bet on the horses,” she says. She points to the pub across the way. I imagine the scene inside and hope she doesn’t have to wait too long.

I push a pile of old Big Mac cartons across the table as I sit down to drink my coffee and enjoy the patriotic headlines in the Tele. But then I’m abused by sounds of kids screeching their way through pink and purple tunnels in the playground. Mum is squeezing her way through in pursuit of them.

The cacophony of sound and the smell of old hamburgers and fries is too much. I drink my lukewarm coffee and leave.

Next stop is the IGA store a bit further down the coast to pick up my supplies for my few days at the hermit’s lair. But I can’t get away from patriotism just yet. There’s a display of Strayaday paraphernalia including yellow velour shorts with stubby holders attached.

I ask the check-out bloke if he thinks they’re becoming. He suggests that road workers should wear them rather than their vests.

“That’d stop the traffic,” he jokes.

“If only,” I muse as I head back out on the highway.

January 16, 2011

Hair, glorious hair


Why are so many men these days bald? Is it something to do with climate change?

My feelings go out to them as I struggle with frequent trips to the hairdresser to get my grey taken care of. But it seems like an epidemic, especially in Australia.

Nearly all men in Asia seem to have full heads of hair so is it a western thing? There are all sorts of theories about the reasons for it. But it definitely is a worry.

The other night I went to see A Life in Three Acts as part of the Sydney Festival which has English drag queen Bette Bourne relaying his life through an on-stage interview. Fantastic black and white photos of him and others at various times of their life are flashed on screens behind him. In the 1970s he and his fellow queens had thick, curly hair - and I'm not talking about their wigs - and were extremely spunky. Most of the gay men in that night's audience had shaved heads.

Now shaved heads are better than comb-overs or anything like that and these guys were still attractive. But really, what has happened to all that hair, glorious hair? (Memories of the cast of Hair singing about giving themselves a head of hair - could they do that today?) Is there a huge mountain of hair somewhere?

It's not just men - we're all losing hair. Everytime we comb, mounds of it come out.

I read an article this week that said too little protein, red meat, fish, eggs, chicken and so on can affect keratin levels and hair can become weaker and stop growing. Eating those foods and having breakfast is key - the morning meal is the most important of the day for boosting hair follicles.

A lack of dietary iron may also lead to hair loss, as levels of ferritin in your body may drop and disrupt the hair growth cycle and increase hair shedding, according to this article.

None of this has much to do with travel except that I do notice a lot more hair when I go to Asia than here or other western countries.Thick, black, luxuriant hair. So beautiful. So maybe it is to do with their diet. (The man in the photo above was at the Pushkar Camel Fair in India for the moustache competition.)

The worst thing here is when a bald head is accompanied by a bow tie around the neck. Bow ties are never a good look unless they are worn with a dinner suit. Extremely unsexy at any other time.

And then some people shave their heads for charity or for art. Geoffrey Rush and wonderful female actor Yael Stone have shaved theirs for Gogol's The Diary of A Madman playing at the Belvoir Theatre in Sydney. What sacrifice for art. And what amazing art too.

In a miracle we managed to get cancelled tickets for the Saturday matinee. What a privilege to see an actor like Rush "in the flesh" - more than 20 years after I saw him in another Neil Armfield-directed play at the same theatre.

Announcing a collection for the flood victims after the performance, he said Toowoomba and Brisbane were his childhaunt haunts. He was wearing white mad man's pants and no shirt at the time. And no bow tie.

January 01, 2011

Big Bang Theory or Keep it Local


I'm not crazy about big, public events. The last time I went to a major one in Sydney - the opening night of the Sydney Festival last year - I was hit on the head by a flying bottle aimed at the rubbish bin. A spot next to the bin had been the only place I could find to sit.

On the way back home we passed a bloodied man with wounds to his head being chased out of a pub by some very scary looking women.

So it's kind of understandable why I preferred to stay local this year.

The idea of waiting for hours and hours in the sun to see New Year's Eve fireworks didn't inspire me at all. And then there was the countless rules and regulations, no alcohol and no ferries or trains to get back home. Being stranded somewhere on the other side of the Bridge or even Circular Quay with thousands of revellers sounded like a night from Hell.

Watching the spectacular fireworks on TV to the background sound of loud bangs outside your window was the way to go. And there was the added incentive of staying up for That's Entertainment featuring Fred Astaire and other Hollywood greats - and even Frank Sinatra - tap dancing. Perfect!

Well earlier we did walk down to Coogee and had a civilized drink in the pub there, before a woman who had had too much to drink starting abusing the bouncer and saying, "I'm not going to let some foreigner tell me what to do".

We moved and had a perfect spot next to the window for the local fireworks.

Then back home to the previously-mentioned TV. We managed to miss most of the annoying presenters and got the Jersey Boys singing hits from the show. One of the highlights of 2010 for me was interviewing Aussie performer Peter Saide, who plays Bob Gaudio in the Las Vegas version of this great musical. In a perfect example of people with talent being modest, Saide was adorable to interview - so full of life and enthusiasm.

(Ofcourse I wouldn't have minded being in Vegas for NY Eve!)

Here's to a low-key, keep-it-local, simple and modest 2011. Happy New Year everyone.