Whale Rock

Whale Rock

Diana Plater's latest book is available on:

Amazon: https://www.amazon.com/dp/1922261416
Amazon Australia: https://www.amazon.com.au/dp/B07NYHWNTR
Amazon UK: https://www.amazon.co.uk/dp/B07NYHWNTR
MoshShop: https://themoshshop.com.au/collections/new-releases/products/whale-rock-by-diana-plater
SmashWords: https://www.smashwords.com/books/view/924932


At her Tamarama café Shannon struggles with the loss of her marriage. A close friendship develops between her and Colin, an Indigenous elder, and Rafael, a Nicaraguan immigrant. When a worker plunges to his death on the building site opposite, journalist Vesna covers the story. But as their secrets are exposed all hell breaks loose and they discover they’re more connected than they ever imagined.


Whale Rock is provocative, stormy and sensual. Diana Plater gives us both human brutality and sensitivity in 21st century Sydney.

Alejandro Pérez, author, Modelo Económico

Feedback/reviews from readers:


4 June 2019

Format: Kindle EditionVerified Purchase

Thoroughly thoroughly enjoyed this book by Australian writer Diana Plater. It covers important issues in contemporary Australia, such as the treatment of refugees and indigenous Australians – the Stolen Generations – while involving the reader in the complex lives and relationships of a colourful cast. Great work.Reviewed by


BarbarinaS

5.0 out of 5 starsAn excellent read

12 April 2019 - Published on Amazon.com

Format: Kindle EditionVerified Purchase


jnana

5.0 out of 5 starsA thought provoking and rewarding read!

1 May 2019 - Published on Amazon.com

In an eastern suburbs beach side café (Tamarama, Sydney) where yummy mummies and aspiring screenwriters complain about too much or not enough froth on their babycinos and soy lattés, a deeper drama begins to unfold. Café owner Shannon, whose marriage is crumbling after the death of her second child, meets Rafael, a Nicaraguan immigrant who is working with her Koori friend Colin at a building site across the road. Rafael, who bears the scars of the Sandinista/Contra war, keeps his past well hidden. Colin too keeps mum about the cruel torture of growing up in the Kinchela Boys Home.

A mutual love of salsa music draws Shannon and Rafael close but just as love begins to blossom an incident occurs that brings government officials and the media swarming. Vesna, a seasoned journalist who covered the Kosovo atrocities in the 90s, is after a scoop on illegal immigrants and will go to any lengths to get it. All hell breaks loose as each character is forced to confront the consequences of their actions and come to terms with the traumas of their past.

In this gripping drama filled with astute insights and canny observances of urban life and modern relationships, Diana Plater digs deep to open the lid on how personal, political and collective trauma affects each and everyone of us.

There are no goodies or baddies in a story like this, just human beings coming unstuck, learning the hard way it is their humanity that will save them in the end.

A thought provoking and rewarding read!

Lucy de Bruce, PhD, University of Technology, Sydney:



Storyline:


Shannon is from a farm down the NSW South coast. The farm provides refuge when all is not well in her Sydney world. Her marriage to Tom, a philandering, firey, immigration lawyer of Serbian heritage, is on the rocks and there are inevitable tensions over money and access to their son, Maxie.


At the root of their problem is Shannon's stillbirth, which Tom blames her for, and for which she carries loss and guilt. To ensure there is cash flow in the floundering marriage, the frugal Tom sets Shannon up in a coffee shop on the Eastern beachside suburb of Tamarama. Her customers are construction workers, office workers, and glossy, pony-tailed yummy-mummies pushing giant baby buggies and hogging the tables at the cafe.


Shannon shuns the snobby, trendy, East Sydney scene preferring to cultivate an earthy, country-girl image. Her favourite refuge is a place she calls Whale Rock located on the flat rocks high above the crashing surf. It is a place that soothes her soul and where an engraving of a mother whale with a baby calf inside her, etched into the rocks, is a bewitching reminder of a sub-narrative flowing throughout Shannon's story.


At the cafe, two of Shannon's regular customers become close friends - Aboriginal Colin and Nicaraguan Rafael. Rafael enters her life at just the right time when she is feeling rejected and hopelessly inadequate as a wife, mother and daughter-in-law. The olive-skinned, pony-tailed and well-built Rafael gives her the Latin passion she craves in their sensual, erotic bedroom scenes above her cafe and in his bachelor pad. Rafael keeps an obsessive low profile; he was once a rebel leader for the Nicaraguan Sandinistas who fought the US-backed Contras. He too is scarred by a secret past in more ways than the torture burns on his body. He yearns to return to his homeland to resolve a botched love affair with an American journalist. His relationship with Shannon brings back painful memories.


Aboriginal Colin also fancies Shannon but ends up as a friend. As a five year old, Colin was a child of the infamous Kinchela Aboriginal Boys Home who was removed from his mother, Lily. He nurses a lifelong grief for his dead soldier father and older brother and tries to find out whatever happened to his mother. Lily, herself a child of the Cootamundra Aboriginal Girls Home, worked as a maid in white households down the south coast. Shannon becomes strangely obsessed by Colin's story and wants to help him find his mother. Disturbingly, Colin and Shannon share an explosive family secret.

Colin and Rafael work at a nearby building site where Colin is Rafael's boss. One day a worker is killed and there are whispers that his death may have been caused by workplace safety neglect.

Shannon, a hopeless do-gooder, insists on getting involved and through a woman acquaintance, Muslim Amany, is put in touch with Vesna, a journalist with a news wire service. Vesna is of Serbian descent and living at home (again) with her parents. When she and Shannon meet, they soon discover they share a tantalizing connection. Vesna snoops around, then publishes the workplace neglect story against the strong protests of Colin and Rafael. This leads to tragedy for Rafael.


Evaluation:


This is a fiction based on re-hashed and imagined characters from the author's past life as a journalist working in Australia, USA and Latin America. The five main characters are strangely intertwined through their parallel lives and dark secrets. The central character, Shannon, comes across as sunny and outgoing with a mischievous sense of humour. Yet a closer look reveals she is also fragile/broody/guilt-ridden/needy/selfish and erotic - with dark secrets. Tom (hapless husband) thinks she is entitled and spoiled. Her "complex" personality comes into play with the characters and situations she encounters.


The story is pacey and told in a light-hearted, cynical way, which counters some of the darker elements. Colourful vignettes of Sydney's affluent and struggling areas are deftly brushstroked as are scenes of life on her south coast farm. Like her beloved Whale Rock, the family farm ("in the valley") is a spiritual and healing place where she can escape from the big bad city. It is where treasured childhood memories, her own lost little one, and disturbing tales of Aboriginal/European relations are deeply etched into that rainforested landscape.


Conclusion:



Whale Rock is a seductive story with a cast of delicious, unexpected bedfellows! It is richly textured, exploring themes of love, grief, betrayal, child-loss, illegal immigration and brutality - all provocatively told by Sydney journalist, Diana Plater. The double narratives switching back and forth between Australia and Nicaragua are a small distraction but still work well. Overall, the book is well crafted, humorous and a page turner! Importantly, it tells the lives of invisible people in a powerful and engaging way. Above all, it shows that no matter how unremarkable a person's life may appear to be, the sheer wonder of the human experience, if well told, is as compelling and extraordinary as any noteworthy person.




Glenda:



Café owner and mother of one Shannon buries herself in work, after losing her second baby and marriage to Tom. The café she runs in Bondi is the intersection point for the five characters featured in this moving, bitingly honest debut novel by Diana Plater. Shannon doesn’t have much time for indulgent café society. She’s drawn instead to customers like Colin and Rafael who don’t fit the mould. Colin’s a foreman at a building site, struggling with scars laid down by his, and his mother’s Stolen Children upbringing in orphanages and foster homes. As with Colin, the fault line in Rafael’s life runs deep into history. Rafael’s a Nicaraguan construction worker, hiding out in Australia for a crime he committed back home during the Sandanista revolution of the ‘70s. A shared love of salsa, sparks a passionate connection between Shannon and Rafael, but their hopes founder on a journalist’s incorrigible ambition. Vesna’s struggling to retain her place at a newspaper that’s dying, but she has no intention of going down with it. Shoring up her options she starts an affair with Tom, Shannon’s ex – a Serbian Australian like herself - as well as an investigation that threatens to unravel Shannon and Rafael’s new happiness.


Tension builds and emotions run high as the characters are drawn into a race against time to beat their inner demons and defeat bloody minded officialdom. In a page turning finish, lives are nearly lost and redemption is found in unexpected ways.


Whale Rock is as diverse and complex as Australia, and every bit as interesting.


Messages:


I finished your book last week and thought it was fabulous. Absolutely gripping, found it hard to put down. Loved so many of the characters. Can't wait for your next novel!! Well done.


I just finished your book. A great book. I loved it. ...You should be proud of what you have written.

December 10, 2009

Sydney Summer Nights - sometimes

Sometimes summer nights in Sydney are close to
perfection.
In the space of two weeks I attended two separate
events that couldn't be more different, but in some ways sum up what Sydney has
to offer.
One was dinner at Dunes restaurant at Palm Beach with
two Australian actor/filmmakers - Anna-Maria Monticelli and Yahoo
Serious.
The other event was the reunion one-off concert of much
as a I hate the word but it does fit - iconic Aussie band Cold
Chisel.
Held at ANZ Stadium at Olympic Park, the concert was the
culmination of the Sydney Telstra 500, which combined V-8 supercars with rock
and roll.
This turned out to be one of the best rock concerts
I've been to (and I've been to a lot), perhaps because it was unexpectedly
enjoyable. And I remember seeing now-grandfather-of-one Barnesy climbing up the
scaffolding at concerts when he was a much younger performer.

We''d already heard that Jimmy Barnes, Ian Moss and co, who disbanded in 1983,
did an amazing warm-up gig at Clovelly Bowling Club earlier in the week, but the
energy and musicianship that night bowled us all over.
Chris Cheney, the lead singer of one of the earlier bands, The Living End, said they
were "honoured" to be playing at the same gig as Cold Chisel.

The enthusiastic crowd of around 80,000 was friendly and easy-going, singing
along with every well-known song.
They continued their good humour on the train home, even though we were packed in like
sardines.
On an earlier gloriously warm night, we sat in the open-air part of Dunes eating oysters and seafood as a jazz band entertained.
The restaurant sits in between the red sandhills that flow down to the surf beach and the grassy surrounds of the Pittwater side of the peninsula, overlooked by Barrenjoey Lighthouse.
Yahoo Serious and Monticelli are both northern beaches locals and love this beautiful
part of the world.
But it wasn't all sweetness and light.
Monticelli spoke with sadness about her film, Disgrace, not being selected for
an AFI Award nomination.
The AFIs have short listed a range of great films, including Balibo and Samson and Delilah but many are astounded that Disgrace based on the masterpiece by South African-turned-Australian writer J M
Coetzee got passed over.
Monticelli wrote the screenplay of the
film, starring John Malkovich, and directed by her husband Steve
Jacobs.
She says it's been sold to more than 20 countries
worldwide, received great reviews here but she still would have liked more
recognition from her peers, not just for the film itself but also for the
acting.
Is it because it's set in South Africa? I asked.
She shook her head, she really didn't know.