Whale Rock

Whale Rock

Diana Plater's latest book is available on:

Amazon: https://www.amazon.com/dp/1922261416
Amazon Australia: https://www.amazon.com.au/dp/B07NYHWNTR
Amazon UK: https://www.amazon.co.uk/dp/B07NYHWNTR
MoshShop: https://themoshshop.com.au/collections/new-releases/products/whale-rock-by-diana-plater
SmashWords: https://www.smashwords.com/books/view/924932


At her Tamarama café Shannon struggles with the loss of her marriage. A close friendship develops between her and Colin, an Indigenous elder, and Rafael, a Nicaraguan immigrant. When a worker plunges to his death on the building site opposite, journalist Vesna covers the story. But as their secrets are exposed all hell breaks loose and they discover they’re more connected than they ever imagined.


Whale Rock is provocative, stormy and sensual. Diana Plater gives us both human brutality and sensitivity in 21st century Sydney.

Alejandro Pérez, author, Modelo Económico

Feedback/reviews from readers:


4 June 2019

Format: Kindle EditionVerified Purchase

Thoroughly thoroughly enjoyed this book by Australian writer Diana Plater. It covers important issues in contemporary Australia, such as the treatment of refugees and indigenous Australians – the Stolen Generations – while involving the reader in the complex lives and relationships of a colourful cast. Great work.Reviewed by


BarbarinaS

5.0 out of 5 starsAn excellent read

12 April 2019 - Published on Amazon.com

Format: Kindle EditionVerified Purchase


jnana

5.0 out of 5 starsA thought provoking and rewarding read!

1 May 2019 - Published on Amazon.com

In an eastern suburbs beach side café (Tamarama, Sydney) where yummy mummies and aspiring screenwriters complain about too much or not enough froth on their babycinos and soy lattés, a deeper drama begins to unfold. Café owner Shannon, whose marriage is crumbling after the death of her second child, meets Rafael, a Nicaraguan immigrant who is working with her Koori friend Colin at a building site across the road. Rafael, who bears the scars of the Sandinista/Contra war, keeps his past well hidden. Colin too keeps mum about the cruel torture of growing up in the Kinchela Boys Home.

A mutual love of salsa music draws Shannon and Rafael close but just as love begins to blossom an incident occurs that brings government officials and the media swarming. Vesna, a seasoned journalist who covered the Kosovo atrocities in the 90s, is after a scoop on illegal immigrants and will go to any lengths to get it. All hell breaks loose as each character is forced to confront the consequences of their actions and come to terms with the traumas of their past.

In this gripping drama filled with astute insights and canny observances of urban life and modern relationships, Diana Plater digs deep to open the lid on how personal, political and collective trauma affects each and everyone of us.

There are no goodies or baddies in a story like this, just human beings coming unstuck, learning the hard way it is their humanity that will save them in the end.

A thought provoking and rewarding read!

Lucy de Bruce, PhD, University of Technology, Sydney:



Storyline:


Shannon is from a farm down the NSW South coast. The farm provides refuge when all is not well in her Sydney world. Her marriage to Tom, a philandering, firey, immigration lawyer of Serbian heritage, is on the rocks and there are inevitable tensions over money and access to their son, Maxie.


At the root of their problem is Shannon's stillbirth, which Tom blames her for, and for which she carries loss and guilt. To ensure there is cash flow in the floundering marriage, the frugal Tom sets Shannon up in a coffee shop on the Eastern beachside suburb of Tamarama. Her customers are construction workers, office workers, and glossy, pony-tailed yummy-mummies pushing giant baby buggies and hogging the tables at the cafe.


Shannon shuns the snobby, trendy, East Sydney scene preferring to cultivate an earthy, country-girl image. Her favourite refuge is a place she calls Whale Rock located on the flat rocks high above the crashing surf. It is a place that soothes her soul and where an engraving of a mother whale with a baby calf inside her, etched into the rocks, is a bewitching reminder of a sub-narrative flowing throughout Shannon's story.


At the cafe, two of Shannon's regular customers become close friends - Aboriginal Colin and Nicaraguan Rafael. Rafael enters her life at just the right time when she is feeling rejected and hopelessly inadequate as a wife, mother and daughter-in-law. The olive-skinned, pony-tailed and well-built Rafael gives her the Latin passion she craves in their sensual, erotic bedroom scenes above her cafe and in his bachelor pad. Rafael keeps an obsessive low profile; he was once a rebel leader for the Nicaraguan Sandinistas who fought the US-backed Contras. He too is scarred by a secret past in more ways than the torture burns on his body. He yearns to return to his homeland to resolve a botched love affair with an American journalist. His relationship with Shannon brings back painful memories.


Aboriginal Colin also fancies Shannon but ends up as a friend. As a five year old, Colin was a child of the infamous Kinchela Aboriginal Boys Home who was removed from his mother, Lily. He nurses a lifelong grief for his dead soldier father and older brother and tries to find out whatever happened to his mother. Lily, herself a child of the Cootamundra Aboriginal Girls Home, worked as a maid in white households down the south coast. Shannon becomes strangely obsessed by Colin's story and wants to help him find his mother. Disturbingly, Colin and Shannon share an explosive family secret.

Colin and Rafael work at a nearby building site where Colin is Rafael's boss. One day a worker is killed and there are whispers that his death may have been caused by workplace safety neglect.

Shannon, a hopeless do-gooder, insists on getting involved and through a woman acquaintance, Muslim Amany, is put in touch with Vesna, a journalist with a news wire service. Vesna is of Serbian descent and living at home (again) with her parents. When she and Shannon meet, they soon discover they share a tantalizing connection. Vesna snoops around, then publishes the workplace neglect story against the strong protests of Colin and Rafael. This leads to tragedy for Rafael.


Evaluation:


This is a fiction based on re-hashed and imagined characters from the author's past life as a journalist working in Australia, USA and Latin America. The five main characters are strangely intertwined through their parallel lives and dark secrets. The central character, Shannon, comes across as sunny and outgoing with a mischievous sense of humour. Yet a closer look reveals she is also fragile/broody/guilt-ridden/needy/selfish and erotic - with dark secrets. Tom (hapless husband) thinks she is entitled and spoiled. Her "complex" personality comes into play with the characters and situations she encounters.


The story is pacey and told in a light-hearted, cynical way, which counters some of the darker elements. Colourful vignettes of Sydney's affluent and struggling areas are deftly brushstroked as are scenes of life on her south coast farm. Like her beloved Whale Rock, the family farm ("in the valley") is a spiritual and healing place where she can escape from the big bad city. It is where treasured childhood memories, her own lost little one, and disturbing tales of Aboriginal/European relations are deeply etched into that rainforested landscape.


Conclusion:



Whale Rock is a seductive story with a cast of delicious, unexpected bedfellows! It is richly textured, exploring themes of love, grief, betrayal, child-loss, illegal immigration and brutality - all provocatively told by Sydney journalist, Diana Plater. The double narratives switching back and forth between Australia and Nicaragua are a small distraction but still work well. Overall, the book is well crafted, humorous and a page turner! Importantly, it tells the lives of invisible people in a powerful and engaging way. Above all, it shows that no matter how unremarkable a person's life may appear to be, the sheer wonder of the human experience, if well told, is as compelling and extraordinary as any noteworthy person.




Glenda:



Café owner and mother of one Shannon buries herself in work, after losing her second baby and marriage to Tom. The café she runs in Bondi is the intersection point for the five characters featured in this moving, bitingly honest debut novel by Diana Plater. Shannon doesn’t have much time for indulgent café society. She’s drawn instead to customers like Colin and Rafael who don’t fit the mould. Colin’s a foreman at a building site, struggling with scars laid down by his, and his mother’s Stolen Children upbringing in orphanages and foster homes. As with Colin, the fault line in Rafael’s life runs deep into history. Rafael’s a Nicaraguan construction worker, hiding out in Australia for a crime he committed back home during the Sandanista revolution of the ‘70s. A shared love of salsa, sparks a passionate connection between Shannon and Rafael, but their hopes founder on a journalist’s incorrigible ambition. Vesna’s struggling to retain her place at a newspaper that’s dying, but she has no intention of going down with it. Shoring up her options she starts an affair with Tom, Shannon’s ex – a Serbian Australian like herself - as well as an investigation that threatens to unravel Shannon and Rafael’s new happiness.


Tension builds and emotions run high as the characters are drawn into a race against time to beat their inner demons and defeat bloody minded officialdom. In a page turning finish, lives are nearly lost and redemption is found in unexpected ways.


Whale Rock is as diverse and complex as Australia, and every bit as interesting.


Messages:


I finished your book last week and thought it was fabulous. Absolutely gripping, found it hard to put down. Loved so many of the characters. Can't wait for your next novel!! Well done.


I just finished your book. A great book. I loved it. ...You should be proud of what you have written.

May 29, 2011

Masai Warriors and Goosebump Trails



They say those who know do and those who don’t teach. But I can’t see why you can’t do both.


I love travelling, I love travel writing, I love journalism but I also love to teach. It’s fun to impart what little knowledge you might have come across to other people. And it’s even more fun to see what they come up with. And with this in mind I have started teaching travel writing.


In the past few years, I’ve been to around 20 international destinations and scores in Australia and New Zealand.. I’ve interviewed everybody from Masai warriors to Republican voters in the US to Irish genealogists to Albanian professors to Indonesian villagers. And I’ve written hundreds of travel stories.


But I didn’t start out as a travel writer. I did a pretty traditional journalism cadetship on a newspaper and worked in the Press Gallery in Canberra before heading to the Kimberley in Western Australia and then the Northern Territory to cover the burgeoning land rights movements there.


It wasn’t really until I worked in Central America in the mid 80s that I started writing travel stories. It was a way of getting stories published that you couldn’t get into the world news or features pages. One I remember was about the Atlantic Coast of Nicaragua and what an evocative destination that was, even with a war going on there at the time.


We went over to cover the autonomy movement and elections. We sailed up the coast on a cargo ship and climbed into canoes which crashed over waves before landing on the beach. Everybody was green with seasickness but that didn't stop one girl carrying a birthday cake for her family the whole way. On the beach we were met by long-haired, wild-looking soldiers. I thought I’d arrived for the filming of Apocalypse Now.


The female Nicaraguan journalist and I slept head to toe in a mosquito-netted hammock, down with the soldiers. We thought we were safer there. It seems strange now reading about Nicaragua as the newest tourist destination. 


When I was there they used to blow up the ferry to Bluefields on the Atlantic Coast every second Friday.


Times change and so do politics and people. What was a war zone regularly becomes a tourist destination and vice versa.


That’s what makes it so fascinating to write about.


Come to one of my courses held in my Sydney home where you can also enjoy beautiful Balinese food cooked by my husband, Budi Arsana, and get some travel writing tips.


I also teach regional and family history writing. Nearly every story is enriched by historical background, I believe. And some of my favourites have been about tracing my family history in Scotland and Ireland, what’s known as the “goosebump trail”.


Email me on plater@optusnet.com.au for course dates, times and prices.

May 10, 2011

Lionel and Elvis


Sadly, great Australian boxer Lionel Rose died this week.
At the age of 19 Rose became the first Aboriginal person to win a world title – when he defeated Masahiko “Fighting” Harada in Tokyo in 1968 to win the world bantamweight belt.
Rose grew up in a bark shed at Jackson’s Track, a poor settlement near the Gippsland town of Drouin in Victoria but became a champion.

Rose represented a positive figure for Australian indigenous people. He was a part of my childhood, in a way as he was the first famous Aboriginal person I'd heard of as a teenager.
As a Victorian friend said to me, "he was a superb sportsman and someone that I looked up to at the time, and still do. Plus, he was very cute".

I was intrigued to read in his obituary by Gerry Carman that Rose gathered a glittering array of admirers around Australia and overseas and his biggest American fan was Elvis Presley. Rose and his trainer Jack Rennie apparently were the only outsiders allowed on to the set of a Presley film (Roustabout) and spent three hours with the king of rock’n’roll, who insisted on a brief “spar” with him.
“Elvis never forgot his raisin’” is one of the many tributes to Elvis Presley on a story wall at the shotgun shack he was born in at Tupelo, Mississippi, now a museum, which I visited in 2006. It was thus named because a shotgun bullet could pass from the front to the back.
The tribute was written by Annie Presley, a cousin by marriage and a dear friend of Elvis’s mother, Gladys.
Another tribute tells of Elvis sneaking away to the local black Baptist church to listen to gospel music.
The shack is not that different to back in 1934 when Elvis’s dad Vernon borrowed $180 for materials to build it with Elvis’s grandfather and uncle on land he sharecropped.
In 1948, Vernon moved the family to Memphis, about 160km north, to look for work. What they couldn’t load in their 1939 Plymouth, they left behind. But it was Graceland, the home he moved into after he became a star, when he was 22, that most people associate with Elvis.
On the way to the recent Byron Bay Bluesfest I listened in the car to Paul Simon’s Graceland:
"The Mississippi Delta was shining
Like a National guitar
I am following the river
Down the highway
Through the cradle of the civil war

I'm going to Graceland
Graceland
In Memphis Tennessee..."
With the civil war always as the backdrop, the U S of A is the land that created rock’n’roll – and before that gospel, jazz, soul, rhythm and blues, bluegrass and country. Elvis and later the Beatles and the Rolling Stones unashamedly turned black music into white music for a wider audience.

Rose, on the other hand, recorded country/pop music singles such as I Thank You.
I wonder if during those three hours together Elvis and Rose jammed or just talked about coming from the wrong side of the tracks – something they shared although from different countries and backgrounds.
They were both stars.