Whale Rock

Whale Rock

Diana Plater's latest book is available on:

Amazon: https://www.amazon.com/dp/1922261416
Amazon Australia: https://www.amazon.com.au/dp/B07NYHWNTR
Amazon UK: https://www.amazon.co.uk/dp/B07NYHWNTR
MoshShop: https://themoshshop.com.au/collections/new-releases/products/whale-rock-by-diana-plater
SmashWords: https://www.smashwords.com/books/view/924932


At her Tamarama café Shannon struggles with the loss of her marriage. A close friendship develops between her and Colin, an Indigenous elder, and Rafael, a Nicaraguan immigrant. When a worker plunges to his death on the building site opposite, journalist Vesna covers the story. But as their secrets are exposed all hell breaks loose and they discover they’re more connected than they ever imagined.


Whale Rock is provocative, stormy and sensual. Diana Plater gives us both human brutality and sensitivity in 21st century Sydney.

Alejandro Pérez, author, Modelo Económico

Feedback/reviews from readers:


4 June 2019

Format: Kindle EditionVerified Purchase

Thoroughly thoroughly enjoyed this book by Australian writer Diana Plater. It covers important issues in contemporary Australia, such as the treatment of refugees and indigenous Australians – the Stolen Generations – while involving the reader in the complex lives and relationships of a colourful cast. Great work.Reviewed by


BarbarinaS

5.0 out of 5 starsAn excellent read

12 April 2019 - Published on Amazon.com

Format: Kindle EditionVerified Purchase


jnana

5.0 out of 5 starsA thought provoking and rewarding read!

1 May 2019 - Published on Amazon.com

In an eastern suburbs beach side café (Tamarama, Sydney) where yummy mummies and aspiring screenwriters complain about too much or not enough froth on their babycinos and soy lattés, a deeper drama begins to unfold. Café owner Shannon, whose marriage is crumbling after the death of her second child, meets Rafael, a Nicaraguan immigrant who is working with her Koori friend Colin at a building site across the road. Rafael, who bears the scars of the Sandinista/Contra war, keeps his past well hidden. Colin too keeps mum about the cruel torture of growing up in the Kinchela Boys Home.

A mutual love of salsa music draws Shannon and Rafael close but just as love begins to blossom an incident occurs that brings government officials and the media swarming. Vesna, a seasoned journalist who covered the Kosovo atrocities in the 90s, is after a scoop on illegal immigrants and will go to any lengths to get it. All hell breaks loose as each character is forced to confront the consequences of their actions and come to terms with the traumas of their past.

In this gripping drama filled with astute insights and canny observances of urban life and modern relationships, Diana Plater digs deep to open the lid on how personal, political and collective trauma affects each and everyone of us.

There are no goodies or baddies in a story like this, just human beings coming unstuck, learning the hard way it is their humanity that will save them in the end.

A thought provoking and rewarding read!

Lucy de Bruce, PhD, University of Technology, Sydney:



Storyline:


Shannon is from a farm down the NSW South coast. The farm provides refuge when all is not well in her Sydney world. Her marriage to Tom, a philandering, firey, immigration lawyer of Serbian heritage, is on the rocks and there are inevitable tensions over money and access to their son, Maxie.


At the root of their problem is Shannon's stillbirth, which Tom blames her for, and for which she carries loss and guilt. To ensure there is cash flow in the floundering marriage, the frugal Tom sets Shannon up in a coffee shop on the Eastern beachside suburb of Tamarama. Her customers are construction workers, office workers, and glossy, pony-tailed yummy-mummies pushing giant baby buggies and hogging the tables at the cafe.


Shannon shuns the snobby, trendy, East Sydney scene preferring to cultivate an earthy, country-girl image. Her favourite refuge is a place she calls Whale Rock located on the flat rocks high above the crashing surf. It is a place that soothes her soul and where an engraving of a mother whale with a baby calf inside her, etched into the rocks, is a bewitching reminder of a sub-narrative flowing throughout Shannon's story.


At the cafe, two of Shannon's regular customers become close friends - Aboriginal Colin and Nicaraguan Rafael. Rafael enters her life at just the right time when she is feeling rejected and hopelessly inadequate as a wife, mother and daughter-in-law. The olive-skinned, pony-tailed and well-built Rafael gives her the Latin passion she craves in their sensual, erotic bedroom scenes above her cafe and in his bachelor pad. Rafael keeps an obsessive low profile; he was once a rebel leader for the Nicaraguan Sandinistas who fought the US-backed Contras. He too is scarred by a secret past in more ways than the torture burns on his body. He yearns to return to his homeland to resolve a botched love affair with an American journalist. His relationship with Shannon brings back painful memories.


Aboriginal Colin also fancies Shannon but ends up as a friend. As a five year old, Colin was a child of the infamous Kinchela Aboriginal Boys Home who was removed from his mother, Lily. He nurses a lifelong grief for his dead soldier father and older brother and tries to find out whatever happened to his mother. Lily, herself a child of the Cootamundra Aboriginal Girls Home, worked as a maid in white households down the south coast. Shannon becomes strangely obsessed by Colin's story and wants to help him find his mother. Disturbingly, Colin and Shannon share an explosive family secret.

Colin and Rafael work at a nearby building site where Colin is Rafael's boss. One day a worker is killed and there are whispers that his death may have been caused by workplace safety neglect.

Shannon, a hopeless do-gooder, insists on getting involved and through a woman acquaintance, Muslim Amany, is put in touch with Vesna, a journalist with a news wire service. Vesna is of Serbian descent and living at home (again) with her parents. When she and Shannon meet, they soon discover they share a tantalizing connection. Vesna snoops around, then publishes the workplace neglect story against the strong protests of Colin and Rafael. This leads to tragedy for Rafael.


Evaluation:


This is a fiction based on re-hashed and imagined characters from the author's past life as a journalist working in Australia, USA and Latin America. The five main characters are strangely intertwined through their parallel lives and dark secrets. The central character, Shannon, comes across as sunny and outgoing with a mischievous sense of humour. Yet a closer look reveals she is also fragile/broody/guilt-ridden/needy/selfish and erotic - with dark secrets. Tom (hapless husband) thinks she is entitled and spoiled. Her "complex" personality comes into play with the characters and situations she encounters.


The story is pacey and told in a light-hearted, cynical way, which counters some of the darker elements. Colourful vignettes of Sydney's affluent and struggling areas are deftly brushstroked as are scenes of life on her south coast farm. Like her beloved Whale Rock, the family farm ("in the valley") is a spiritual and healing place where she can escape from the big bad city. It is where treasured childhood memories, her own lost little one, and disturbing tales of Aboriginal/European relations are deeply etched into that rainforested landscape.


Conclusion:



Whale Rock is a seductive story with a cast of delicious, unexpected bedfellows! It is richly textured, exploring themes of love, grief, betrayal, child-loss, illegal immigration and brutality - all provocatively told by Sydney journalist, Diana Plater. The double narratives switching back and forth between Australia and Nicaragua are a small distraction but still work well. Overall, the book is well crafted, humorous and a page turner! Importantly, it tells the lives of invisible people in a powerful and engaging way. Above all, it shows that no matter how unremarkable a person's life may appear to be, the sheer wonder of the human experience, if well told, is as compelling and extraordinary as any noteworthy person.




Glenda:



Café owner and mother of one Shannon buries herself in work, after losing her second baby and marriage to Tom. The café she runs in Bondi is the intersection point for the five characters featured in this moving, bitingly honest debut novel by Diana Plater. Shannon doesn’t have much time for indulgent café society. She’s drawn instead to customers like Colin and Rafael who don’t fit the mould. Colin’s a foreman at a building site, struggling with scars laid down by his, and his mother’s Stolen Children upbringing in orphanages and foster homes. As with Colin, the fault line in Rafael’s life runs deep into history. Rafael’s a Nicaraguan construction worker, hiding out in Australia for a crime he committed back home during the Sandanista revolution of the ‘70s. A shared love of salsa, sparks a passionate connection between Shannon and Rafael, but their hopes founder on a journalist’s incorrigible ambition. Vesna’s struggling to retain her place at a newspaper that’s dying, but she has no intention of going down with it. Shoring up her options she starts an affair with Tom, Shannon’s ex – a Serbian Australian like herself - as well as an investigation that threatens to unravel Shannon and Rafael’s new happiness.


Tension builds and emotions run high as the characters are drawn into a race against time to beat their inner demons and defeat bloody minded officialdom. In a page turning finish, lives are nearly lost and redemption is found in unexpected ways.


Whale Rock is as diverse and complex as Australia, and every bit as interesting.


Messages:


I finished your book last week and thought it was fabulous. Absolutely gripping, found it hard to put down. Loved so many of the characters. Can't wait for your next novel!! Well done.


I just finished your book. A great book. I loved it. ...You should be proud of what you have written.

March 30, 2011

Where's George?


Everybody in Como has a story about George Clooney.
Even the local brochures list the fact that the Hollywood star lives in Laglio on Lake Como, although others say he actually resides in the nearby town of Carate Urio. Perhaps his villa is in between the two.
And a Nespresso ad with Clooney jumping into a cab driven by God - played by John Malkovich - always seems to be on TV.
Once spotted all over the place, he's become a bit more illusive in the past few months - not surprising considering the slew of YouTube videos depicting people aimlessly searching for him.
The local tourist office told us that he likes to go for lunch at Harry's Bar. Not that we knew where Harry's Bar was, or had the slightest interest in finding it.
We spent a wet weekend in this most beautiful of areas, an hour or so by train north of Milan and close to the Swiss border.
Como is a place where the rich Milanese have holidayed for centuries - escaping the heat of the city to boat, swim and drink coffee in the sun.
May is meant to be the best month but even in winter rain it's still gorgeous.
The first thing tourists do when they land here is take a boat trip around the lake - before heading up the hill on the steep funicular to take in the magnificent view.
The boat trip takes about an hour and is refreshingly free of commentary. You can just sit and stare at the massive and beautiful villas that dot the landscape.
We did just that and jumped off at a random stop along the way, Cernobbio, knowing we could get back on the boat around an hour later.
And what was the first thing we saw but Harry's Bar.
Running through the rain (we'd declined offers by a sea of barters to buy an umbrella in town) we pushed the door open and entered a little world of its own.
Harry's Bar is an elegant restaurant with windows looking out on the lake and a good old fashioned bar - just the sort of place George would love.
That area was closed for a party of adults with precocious children, who annoyed the waiters no end. (I was so glad to see that precocious children don't just live in Australia these days.)
Our beautifully presented waitress languidly handed us a menu and suggested an aperitif as we peered around. Of course we pretended to have never heard of the actor.
I ordered a glass of champagne, which was the perfect start to one of the most pleasant Sunday lunches I've ever had. It included thin pieces of rare roast beef with sublime mashed potatoes - not what you would expect to eat in Italy.
The service was laid back but efficient. It was on the pricey side but it was worth it - the bill came to around 64 Euros ($A86.60) for two people.
Giordano, the bar manager (who previously worked in Perth), chatted to us before offering a free glass of dessert wine to perfectly end the meal.
He told us the restaurant was owned by "people in Venice" but it was not a franchise and no relation to the franchise chain, Harry's Bar, including the less than salubrious one at the airport.
He said not only Clooney but Robert de Niro ate and drank there regularly.
"George Clooney is nicer," he said. "He smiles and jokes a lot."
He always came with his Sardinian model girlfriend Elisabetta Canalis.
"But he hasn't come for six months," he said. "Because of the paparazzi."
(I'd also read in a local magazine Hugh Grant saying he remembered having dinner at a "retro" restaurant in Como but I'm not sure if was talking about Harry's Bar.)
We were lucky. The restaurant was about to close for Winter. We got there at 2pm and the closed sign was put on the door at 3pm, disappointing a group of people who knocked on it.
Usually guests of the luxurious hotel, Villa D'Este, around the corner are directed here by the concierge but the resort closes in November so we were also free of rich Americans.
Feeling satisfied by our delicious lunch and slightly tipsy, we jumped back on the boat which was heading in the other direction but looped back to Como in the rain.
A line from the Guns N'Roses rock anthem, "Nothin' lasts forever even cold November rain", filled my head on the way back.
We never did spot George but we felt as if he was there in spirit. We knew he would have loved to have met us, anyway.

March 23, 2011

Fijian freedoms


Bula

When somebody needs to be buried in Suva, Fiji’s capital, they call on the prisoners from the jail to dig the graves.

Or at least that’s what I was told.

They wear bright orange jumpsuits and are big and hefty.

Who knows what they’re in for.

They used to try and escape, running up the many paths that criss-cross the hills behind Suva but the guards can run fast too. When they were caught they were often beaten to a pulp.

So now they have just one skinny guard with a baton watching over them as they dig the graves. They know it’s not worth escaping.

While families enjoy the sunshine and the blue skies at Fijian resorts, my thoughts were on how much we take our freedom for granted.

We travellers drop in and drop out – parachuting into trouble spots so long as they have good resorts and happy hours, usually paying little heed to political prisoners or prisoners of any kind.

In Fiji, it’s particularly apt when you realise how many journalists have been jailed or deported since the present administration of Prime Minister Frank Bainimarama took over, not to mention the censoring of the media there.

Fijians and expats have mixed feelings about Bainimarama and his government and eight days in the country isn’t long enough to make a final judgement. Some say a western form of democracy doesn’t work for Fiji. Others are worried about the lack of investment in the country now, except by the Chinese. Most certainly don’t want to go on the record about their feelings.

My driver to the airport in Suva says at least roads are being built and schools improved. (The thought, and Mussolini made the trains run on time entered my head.) But you can see his point.

When I pick up the local papers including The Fiji Sun (no longer owned by Murdoch) there’s photos of a smiling Bainimarama on almost every page.

Over at Savusavu on Fiji’s northern island of Vanua Levu, you can understand why it’s known as the Hidden Paradise. It’s remote, beautiful and has a post-colonial feel about it.

We’re in a Methodist church in a village just down the road from motivational guru Anthony Robbins’ resort Namale, where guests pay thousands of dollars for the privilege of being told how to make thousands when they leave. We're waiting for the villagers to perform. And then out of nowhere we’re given an impromptu sermon about men’s rights and Adam’s rib – a lesson on misogyny, perhaps?

First we’re told missionaries brought the light to Fiji and then that men should always rule the roost, as the Bible showed.

Fijians are deeply religious and I respect this but when the giver of the sermon later jokes that "you come from my ribs" I want to run for the hills. I just hope a prison warden doesn’t chase after me.

Vinaka.

March 07, 2011

Feeling Foolish or the Blind Barber


One of the most endearing characters I came across during my travels in India was a barber in the village of Kheradergarh in Rajasthan.

He told us he was a “travelling barber”, and he carried an old bag, a former armaments case, to prove it. As we sat under a neem tree worshipped for its medicinal value in healing wounds, he took out his various instruments used in his day to day work.

And then he proceeded to show us how he cut nose hair and cleaned ears.

We wondered how he managed, because he wore thick government-issue glasses, and complained that as his eyesight deteriorated nobody wanted to have him cut their hair or shave them any more.

“What about your children? Do they help?” we asked.

“Hmph, my children, they are useless,” he said. We dubbed him the blind barber, which wasn’t very kind. With no governmental social services, he was doomed in his old age to the care of the local Hindu temple.

We’d earlier visited a potter, who showed us how he made pots on his wheel. When his son knocked his new creation over and broke it he muttered in Hindi: “Here we go again!”

He lived mainly by bartering, exchanging his pots for milk from the shepherd, who we had earlier visited. In his humble abode, a huge poster of Bollywood star Ajay Devgan held pride of place.

I joked that he looked like Devgan and was given a withering look as if to say, “You are a bloody idiot”.

As we arrived in the village a group of women wearing vibrantly coloured saris walked towards us, singing a welcome song.

"That's nice," I said.

“Well they’re actually being quite cheeky and making fun of you,” our guide explained.

"It's a bit like somebody singing the wedding waltz as you walk in the door."

Again I felt foolish.

Earlier that day we had visited the Sirilar Prajapat Government Upper Primary School in nearby Nimaj.

We had started by telling the kids about Australian native animals, with one of the group drawing a platypus on the board in chalk.

"Sir, sir, it's a seahorse," one child called out.

But it wasn't Australian animals they were interested in. This year eight group had more pressing matters in mind.

"Does your country have the nuclear bomb?" one fresh-faced youth asked.

"Why is your country with such a small population so developed?" asked another.

"Does your country have a caste system?" (They looked perplexed when we tried to explain that we didn't, and status was based more on money rather than what group you were born into.)

"What is your marriage system? How does it work?"

"What is the name of your prime minister?" (They of course knew the name of our cricket captain and several players.)

The girls were shyer, although one stood up and sang for us. Another asked us to sing an Australian song, and probably regretted it, as we embarrassed ourselves by performing a bad rendition of Waltzing Matilda.

One thing you have to get used to when travelling in countries such as India is looking like a fool. But meeting these kids and eve the blind barber with his familiar tale of familial exasperation brought another thought. We're all the same under the skin - pretty damn funny.